-
The Art of Resistance: Critical Thinking in Creativity
In today’s intricate socio-political landscape, artists embody resilience, patience, and rebellion equally alike, forging pathways towards a collective utopia.
Resilience: Navigating Complexity with Persistence
In contemporary artistic practice, resilience has become a pivotal attribute, reflecting the capacity to endure and adapt amid shifting socio-political and economic landscapes. Artists frequently encounter structural challenges, from funding insecurities to cultural gatekeeping, necessitating a tenacity that transforms adversity into creative momentum. The act of producing art, despite such impediments, becomes a form of resistance — a testament to the artist’s resolve to carve out space for expression and dialogue.
rawpixel.com/create/design/01JBTB751FCCYVW40CPWC19C37 Moreover, this resilience extends beyond the individual, manifesting in collective artistic endeavors that nurture solidarity and exchange. Through the formation of collaborative networks, artists cultivate environments where experimentation and critique are embraced, reinforcing the idea that breakthroughs often emerge from a persistence that transcends personal ambition, reaching toward communal empowerment.
Patience: Cultivating Depth in a Rapid-Fire Era
The artistic process is inherently temporal, demanding patience to navigate the intricate evolution of ideas and craft. In an era characterized by immediacy, where digital media accelerates consumption and production, artists serve as custodians of slowness. They embrace the temporal nature of creation, allowing works to gestate and evolve, cultivating meaning through deliberate reflection and meticulous refinement.
This patience is not passive but rather an active engagement with uncertainty. It entails the willingness to dwell within ambiguity, to trust in the process of iteration and discovery. As audiences, we too are invited to slow down — to immerse ourselves in the layers of artistic expression and appreciate the profound narratives that unfold over time, fostering deeper empathy and understanding.
Rebellion: Deconstructing Norms, Redefining Boundaries
Art has long been a conduit for dissent, challenging prevailing norms and unsettling complacency. In contemporary contexts, rebellion manifests not only through overt political commentary but also through subversive shifts in form, content, and perspective. Artists disrupt entrenched paradigms, offering alternative frameworks for understanding identity, power, and society.
Crucially, this act of rebellion is multifaceted: it can be thunderous and provocative, or subtle and introspective. It encompasses acts of reclaiming marginalized narratives, questioning institutional authority, and envisioning new modes of being. Artists resist reductive narratives. They advocate for multiplicity. By doing so, they destabilize monolithic structures. This creates space for new discourses. It empowers marginalized voices to resonate.
Imagining Utopia: Envisioning Possibility Through Artistic Praxis
rawpixel.com/create/design/01JBTB751FCCYVW40CPWC19C37 Utopia is not merely an aspirational endpoint but an evolving praxis — a continuous negotiation of possibility and imagination. Artists serve as architects of speculative futures, crafting visions that transcend existing limitations and propose alternative social configurations. Through their work, they challenge the notion of inevitability, asserting that other worlds are possible.
This utopian impulse is inherently collective. It thrives in moments of co-creation, where diverse perspectives converge to reimagine shared realities. Art becomes a communal endeavor, fostering dialogue and solidarity while illuminating pathways toward justice, equity, and compassion. The act of imagining utopia, then, is not an isolated pursuit but a radical gesture of hope and transformation.
In a time of profound uncertainty, artists emerge as critical thinkers and visionaries, embracing resilience, patience, and rebellion as tools to forge new possibilities. Their work serves not only as commentary but as a catalyst, compelling us to question, to dream, and ultimately, to participate in the co-creation of a more inclusive and compassionate future.
Designs: B'SPOQUE magazine, Resources: via Rawpixel und Freepik
Taged as/in; art, creatives, creativity, Critical, dialogue, economy, expression, resilience, resistance, Thinking, Utopia#writtenby
-
LESORTSAC X ROBERTO CAVALLI DEBUT COLLABORATION
LeSportsac & Roberto Cavalli unveil their first collaboration, blending lightweight craftsmanship with bold glamour. Available now.
A Fusion of Craftsmanship and Glamour
LeSportsac and Roberto Cavalli unite for the first time to present a bold new collaboration. The Spring 2025 collection seamlessly blends the durable, lightweight materials of LeSportsac with the wild glamour and unapologetic style of Roberto Cavalli.
A Personal Connection to the Collaboration
For Roberto Cavalli’s creative director, Fausto Puglisi, the collaboration with LeSportsac carries a personal significance. Growing up in Messina, Sicily, he admired designer bags at a store coincidentally named Puglisi. One of his most stylish schoolteachers carried a LeSportsac bag daily, making a lasting impression. Inspired by these early memories, Puglisi, alongside LeSportsac creative director Luca Schmitz, aimed to reimagine nostalgic handbag designs for today’s fashion-forward customers.
Designed for the Modern Lifestyle
“When I connected with LeSportsac, I wanted to use the collaboration as a way to think about a Cavalli way to carry something on the subway in New York, to Coachella, or to Burning Man,” says Puglisi. “Ultimately, we created something democratic, easy, and young.”
Spring 2025 marks the first of four planned collaborative collections. The debut features four distinct groups, all inspired by Roberto Cavalli’s signature aesthetics and available in both classic and updated LeSportsac shapes.
The Four Key Collections
Mini Zebra
A timeless Roberto Cavalli signature, Mini Zebra brings untamed, fierce energy to everyday accessories.
Freedom Rum
Fausto Puglisi’s Freedom print takes inspiration from tiger stripes and the intricate history of Japanese etchings, reinterpreted in earthy desert tones.
Matelassé
Rooted in Italian craftsmanship, this textured sewing technique blends sophistication with Roberto Cavalli’s iconic animal prints.
Puffy
Available in Mini Zebra, Freedom Rum, and an all-black Nero, the Puffy bags embody effortless modernity for customers on the go.
Crafted for Style and Functionality
Each design benefits from LeSportsac’s signature lightweight yet durable materials. Thoughtful details elevate the collection, from precisely placed prints ensuring unique variations to premium non-puckering zippers for a seamless user experience. Dual zipper pulls—one from LeSportsac and the other from Roberto Cavalli—symbolize the seamless partnership. Each bag comes in a limited-edition dust bag, underscoring its exclusivity.
A Collaboration Built to Last
“This is not just a one-off—this is a true collaboration where two brands tell their stories in a well-crafted, thoughtful way,” says Schmitz. “What impressed me about working with Fausto specifically was his ability to translate Cavalli’s DNA for a younger audience. As 2024 marked our 50th anniversary, I can think of no better foundation than this collaboration to carry LeSportsac into the future.”
Availability and Launch Details
LeSportsac x Roberto Cavalli launched worldwide on March 11, 2025, for the Spring 2025 season. The collection is available at Neiman Marcus, LeSportsac, and Roberto Cavalli stores globally, as well as online at robertocavalli.com and lesportsac.com.
About Roberto Cavalli
Founded in 1970, Roberto Cavalli is an iconic Italian brand synonymous with luxury fashion, accessories, and lifestyle products. The brand embodies a glamorous, contemporary aesthetic, blending Mediterranean heritage with Italian craftsmanship. The Roberto Cavalli portfolio includes Home, Junior, Perfumes, Watches, Eyewear, and Just Cavalli collections. Roberto Cavalli SpA is currently owned by Auriel Investment SA. robertocavalli.com
About LeSportsac
LeSportsac has been a leader in fashion accessories since its launch in 1974, known for its stylish, lightweight, and durable bags. The brand has gained global recognition for its iconic designs, innovative collaborations, and commitment to quality. LeSportsac offers a variety of styles, including tote bags, crossbody bags, backpacks, and the iconic Weekender. lesportsac.com
Taged as/in; 2025, bold, craftsmanship, fashion, Fausto Puglisi, Glamour, handbags, LeSportsac, Neiman Marcus, Roberto Cavalli, Spring/Summer#writtenby
-
KIMHĒKIM Exhibition Seoul: ‘BUY IT, IF YOU CAN’
“BUY IT IF YOU CAN” showcases bold, experimental designs. Loved by celebrities and the press, twelve iconic pieces reunite in Seoul for a unique exhibition.
An Audacious Game of Art played by Creative Director KIMINTE KIMHEKIM. Exclusive exhibition now open. Exhibited in ĒSPACE KIMHĒKIM until March 31st. KIMHĒKIM, founded in 2016 by Korean designer Kiminte Kimhēkim, seamlessly blends traditional Korean heritage with contemporary French couture. The brand’s name pays homage to an ancient Korean royal family, reflecting its deep cultural roots.
12.03.2025 – 31.03.2025
Wed – Sun 12:30-19:3028, Samcheong-ro 7 gil,
Jongno-gu, Seoul.
Founder’s Background
Kiminte’s passion for fashion was ignited by his grandmother, from whom he learned the art of garment making. He further honed his skills at prestigious French fashion houses, notably Balenciaga, before establishing his own label.
Design Philosophy
KIMHĒKIM is renowned for its minimalist silhouettes combined with intricate details, creating collections that are both modern and timeless. The brand draws inspiration from traditional Korean attire, such as the hanbok, infusing classic elements into contemporary designs.
Collections and Themes
Each season, KIMHĒKIM introduces the ‘Obsession series,’ exploring new details and silhouettes. The Spring/Summer 2025 collection, titled ‘Dreamers,’ debuted on September 28 at the Faculté de Pharmacie de Paris, paying homage to individuals pursuing their aspirations.
Flagship Store
The brand’s flagship store is located in Seoul’s Samcheong-dong district, near the historic Gyeongbokgung Palace. The store’s interior, designed in collaboration with artist Moon Seungji, harmoniously combines wood, metal, and glass, reflecting KIMHĒKIM’s commitment to blending tradition with modernity.
Global Presence
KIMHĒKIM has garnered international acclaim, showcasing collections at Paris Fashion Week and being recognized by the Fédération de la Haute Couture et de la Mode (FHCM). The brand’s fusion of Korean heritage with French couture continues to captivate audiences worldwide.
In essence, KIMHĒKIM stands as a testament to the harmonious blend of cultural heritage and contemporary design, offering a unique perspective in the global fashion landscape. Go to website.
Taged as/in; art, avantgarde, design, designer, fashion, Fashion Show, Fédération de la Haute Couture et de la Mode (FHCM), Gyeongbokgung Palace, KIMHĒKIM, Moon Seungji, Paris, PFW | Paris Fashion Week, Samcheong-dong district, seoul#writtenby
-
Liz Rosenfeld – Blood Runs Cold @ Galerie-P6-Berlin
Galerie-P6-Berlin presents “Blood Runs Cold” by Liz Rosenfeld, a striking exploration of identity and autonomy through blood-based digital prints.
14.03.25 – 31.05.25
Galerie-P6-Berlin /// ArtsyGalerie-P6-Berlin is pleased to present ‘Blood Runs Cold’, a solo exhibition of photographic prints by artist Liz Rosenfeld, on view from 14.03.25 – 31.05.25 online via the Galerie-P6-Berlin profile on Artsy:
Through the lens of a microscope
Rosenfeld creates a series of large and medium-scale digital prints. They work with the material of their blood. This invites the viewer into their inner biological realm through the lens of a microscope. The artist photographed samples of their own blood, digitizing and transposing these images to large-scale prints.
In some works, the images are layered over hand-drawn irregular holes, a technique the artist employs to signal a dedication to their body as an ongoing collaborative material across all mediums.
Bodies are presented as implicated and sharing responsibility in the shifting of time and space. The title “Blood Runs Cold” refers to the specific geo-political period in which Rosenfeld has created these works, drawing on the privilege they have to examine their own blood with autonomy, turning it into a self-directed material.
While this blood, when analyzed, would read as chronically ill and that of a transsexual being through traces of hormones, amongst other medicalized diagnoses. However, zoomed in, one could begin to dream of world-making in a black hole abyss. Imagine time travel and planetary states beyond a human body defined by systemically defined pathologies and representational identities.
About:
Liz Rosenfeld is a Berlin-based visual and performance artist who works in film/video, performance, and experimental writing practice. Liz addresses the sustainability of emotional and political ecologies, cruising methodologies, and past and future histories regarding the ways in which memory is queered.
Her work deals with flesh as a non-binary collaborative material, specifically focussing on the potentiality of physical abundance and excess, approaching questions regarding the responsibility and privilege of taking up space.
LEFT: Blood Runs Cold #4, giclée print on archival paper, 118.9 cm × 84.1 cm, 2024, RIGHT: Blood Runs Cold #3, giclée print on archival paper, 118.9 cm × 84.1 cm, 2024 Embracing an auto-theoretical style, Liz’s writing is rooted in questions that contend with how queer ontologies are grounded in variant hypocritical desire(s.)
references:
Rosenfelds’s films, performances, and artwork have shown in international museums and venues. These include The Museum of Modern Art in Warsaw and The Forum Expanded Program of the 2022 Berlinale. Antifestval, Bärenzwinger Berlin, Mousonturm, Tanzhaus nrw, Kampnagel, and the 2019 Bergen Assembly also feature their work.
Followed by the Berlinischer Galerie, Mapa Teatro, Sophiensæle, The Hebbel am Ufer Theatre, The Gorki Theater, Arts Admin and Galerie Emanuel Layr. As well as The Tate Modern, The Hammer Museum, The Leslie Lohman Museum, The Barbican Centre, The CAC- Glasgow, Tramway, The Stedelijk Museum, The C/O Gallery, and The Deutsches Historisches Museum.
Copyright © 2025 Galerie P6, All rights reserved.
Taged as/in; 2019 Bergen Assembly, Antifestval, Arts Admin, Artsy, autonomy, Bärenzwinger Berlin, berlin, Berlinale, Berlinischer Galerie, biology, blood, Body, emotion, Galerie Emanuel Layr, Galerie-P6-Berlin, human, Kampnagel, Liz Rosenfeld, Mapa Teatro, Mousonturm, political, Sophiensæle, Sustainability, Tanzhaus nrw, The Barbican Centre, The C/O Gallery, The CAC- Glasgow, The Gorki Theater, The Hammer Museum, The Hebbel am Ufer Theatre, The Leslie Lohman Museum, The Stedelijk Museum, The Tate Modern, Tramway#writtenby
-
Secrid präsentiert die Art Collection: Kunst zum Mitnehmen
Kunst trifft Handwerk: Secrid’s Art Collection vereint Meisterwerke mit modernem Design – stilvoll, sicher und immer dabei. #SecridArt
Am 30. März feiert die Welt den 172. Geburtstag von Vincent van Gogh – ein Anlass, der Kunstliebhaber inspiriert und Secrid dazu bewegt hat, die faszinierende Art Collection vorzustellen. Diese Miniwallets verbinden meisterhafte Kunstwerke mit moderner Handwerkskunst und schaffen stilvolle Accessoires für den Alltag.
Vincent Van Goghs, Rembrandt van Rijn, Carel Fabritius & Johannes Vermeer
Die Designs “Almond Blossom” und “Bouquet” zollen Van Goghs ikonischen Gemälden Tribut, indem sie deren Farbenpracht und Details in ein tragbares Format übertragen. Doch die Kollektion geht weit darüber hinaus. Weitere Designs wie “Night Watch” von Rembrandt van Rijn, “Goldfinch” von Carel Fabritius und “Pearl Earring” von Johannes Vermeer sind enthalten. Jedes Miniwallet spiegelt die Essenz klassischer Kunst wider.
Hergestellt aus hochwertigem Rindsleder aus Italien und Dänemark, durchlaufen die Wallets einen aufwendigen Herstellungsprozess. Moderne Drucktechniken sorgen für die beeindruckende Detailgenauigkeit der Kunstwerke. Schließlich erfolgt die Endfertigung in den Niederlanden. Dies geschieht in sozialen Werkstätten und unter fairen Bedingungen.
Praktisch, sicher und stilvoll
Trotz ihrer kompakten Größe bieten die Miniwallets erstaunlich viel Platz: Bis zu sechs Karten, Banknoten und Visitenkarten finden darin Platz, während der integrierte RFID-Schutz sensible Daten sichert. Praktisch, sicher und stilvoll – die Art Collection vereint Funktionalität mit künstlerischem Ausdruck.
Für Kunstliebhaber, die Geschichte und Kreativität im Alltag tragen möchten, ist die Art Collection ein Must-Have. Ab Mai erweitert Secrid die Kollektion um neue Designs, die auf der offiziellen Website erhältlich sein werden.
Preis: 89,00 €
Über Secrid:
Seit ihrer Gründung im Jahr 2009 durch das Designerpaar Marianne van Sasse van Ysselt und René van Geer hat sich Secrid als Vorreiter in der Geldbörsenwelt etabliert. Das niederländische Unternehmen setzt auf langlebige Produkte, soziale Verantwortung und nachhaltige Produktion.
Als B-Corp-zertifiziertes Unternehmen investiert Secrid 1 % des Jahresumsatzes in Projekte. Diese Projekte treiben die industrielle Evolution voran. Es ist ein Konzept, das auf “besser produzieren” anstelle von “mehr produzieren” setzt.
Ob als Kunststatement oder praktischer Begleiter – mit der Secrid Art Collection trägt man ein Stück Geschichte immer bei sich.
Taged as/in; art, Carel Fabritius, design, Geldbörse, Johannes Vermeer, Kunstwerke, Marianne van Sasse van Ysselt, mini wallet, Rembrandt van Rijn, René van Geer, Secrid, Vincent Van Goghs#writtenby
-
Yeşim Akdeniz – Silent Strangers @ Soy Capitán
Yeşim Akdeniz explores labor, craft, and cultural narratives through symbolic objects, blending handmade and industrial materials. Opening: March 21, 6–9 pm!
Join us for the opening on March 21, from 6–9 pm!
21.03.–25.04.2025Yeşim Akdeniz’s practice is infused with symbolic narratives. These narratives reflect cultural production, negotiation, and appropriation. They explore the movement of forms, materials, and labor. Her work examines the intersections between craft and industrial production. Central to her work is a distinct visual language of symbolism, through which she weaves personal and cultural references, offering layered interpretations of history, identity, and collective memory.
At the core of the exhibition is a series of iron-welded lamps, created (in collaboration) with a craftsperson in Istanbul, embody the intersection of handmade and industrial production. Alongside these lamps, the artist integrates mass-produced yet unbranded objects—buckles, car upholstery, and other industrial remnants—materials that move through supply chains largely unnoticed.
Much like the workers who handle them, these objects traverse industries and geographies, influencing cultures without acknowledgment or authorship. The exhibition explores the interplay between the handcrafted and the manufactured and the visible and the unseen. It shows how histories of migration, labor, and power are embedded in everyday materials. These elements reveal the silent forces that shape our interconnected world.
About the Artist:
Yeşim Akdeniz (b. 1978 in Izmir) graduated from Art Academy Düsseldorf in 2002. She participated in the De Ateliers residency program in Amsterdam from 2002 to 2004. She received the Kunstverein Bonn/Peter Mertes Stipendium in 2005. Her work has been exhibited in many institutions. These include Stedelijk Museum Amsterdam, Kunstverein Frankfurt, and MAK Museum Vienna. It also includes Sammlung Philara in Düsseldorf, Kunstverein Bielefeld, and Kunsthal Mechelen in Belgium.
Yeşim Akdeniz’s practice engages with Orientalism, gender and queer studies, and cultural appropriation. Primarily focused on painting, her work is infused with symbolic narratives that can be read as signs of cultural production, negotiation and appropriation. Her most recent series of works combine autobiographical elements with (art) historical narratives. These works position questions of identity formation alongside the ascriptions and self-attributions of objects, which serve as representations of political structures.The artist currently lives and works between Brussels and Düsseldorf.
Soy Capitán
Lindenstr. 34
10969 Berlin-Kreuzberg
+49 (0)30 80921977
info@soycapitan.deOpening hours:
Wed–Sat 12–6 pm
And by appointment.Copyright © 2025 Soy Capitán, All rights reserved.
Taged as/in; art, collective memory, History, Identity, Installation, Kunst, labor, Migration, objects, power, Soy Capitán, Symbolism, upholstery, Yeşim Akdeniz#writtenby
-
Staatsoper Unter den Linden: Festtage im April 2025
Mit den Premieren von Norma und Parsifal, sowie Konzerten – mit Rachel Willis-Sørensen, Elīna Garanča, Anne-Sophie Mutter und Joyce DiDonato.
Vom 11. bis 21. April 2025 lädt die Staatsoper Unter den Linden um die Ostertage zu den Festtagen 2025 ein. Sie wartet mit einer ganzen Reihe von Solistinnen auf Weltniveau auf. Vincenzo Bellinis Norma feiert Premiere in der Inszenierung von Vasily Barkhatov. Rachel Willis-Sørensen übernimmt die Titelpartie.
Richard Wagners Parsifal in der Regie von Dmitri Tcherniakov wird nach sieben Jahren wieder gespielt, zum ersten Mal mit Elīna Garanča als Kundry. Anne-Sophie Mutter tritt mit Jeanine De Bique im Festtage-Konzert auf. Sie werden von der Staatskapelle Berlin begleitet. Simone Young leitet musikalisch das Konzert. Darüber hinaus gibt Joyce DiDonato ihren zweiten Liederabend an der Staatsoper.
Norma
Mit Vincenzo Bellinis Norma feiert an der Staatsoper die Inszenierung von Vasily Barkhatov Premiere. Diese Inszenierung entstand in Koproduktion mit dem MusikTheater an der Wien und wurde dort bereits von Publikum und Presse gefeiert. Erstmals am Pult der Staatskapelle ist der italienische Dirigent Francesco Lanzillotta zu erleben. Die renommierte amerikanische Sopranistin Rachel Willis-Sørensen gibt als Norma sowohl ihr Haus- als auch Rollendebüt. Elmina Hasan gibt ihr Debüt als Adalgisa. An ihrer Seite singen Dmitry Korchak (Pollione), Riccardo Fassi (Oroveso) und die beiden Mitglieder des Internationalen Opernstudios Maria Kokareva (Clotilde) und Junho Hwang (Flavio) sowie der Staatsopernchor.
Parsifal
Von der stilbildenden italienischen Belcanto-Oper spannt sich der Bogen der Festtage zur Wiederaufnahme von Parsifal, inszeniert von Dmitri Tcherniakov und dirigiert von Philippe Jordan. Bellini sei „eine seiner Vorlieben“, so Richard Wagner, „denn seine Musik ist stark gefühlt und eng mit den Worten verschlungen.“
Wagners „Bühnenweihfestspiel“ kehrt nach sieben Jahren wieder auf die Bühne der Staatsoper zurück, erstmals mit Elīna Garanča als Kundry. Die Besetzung umfasst herausragende Wagner-Interpret:innen wie die Ensemblemitglieder Andreas Schager (Parsifal) und René Pape (Gurnemanz) sowie Lauri Vasar (Amfortas), Tómas Tómasson (Klingsor) und Kurt Rydl (Titurel), dazu der Staatsopernchor mit großer Partie.
Festtage-Konzert der Staatskapelle Berlin
Das Festtage-Konzert der Staatskapelle Berlin bietet eine erneute Begegnung mit Anne-Sophie Mutter, die als Solistin in Alban Bergs Violinkonzert zu erleben ist. Simone Young dirigiert das Konzert, eine Hommage an Pierre Boulez. Genau 100 Jahre ist es her, dass der Komponist und Dirigent geboren wurde. Oft hat er die Staatskapelle geleitet, die ihn 2005, anlässlich seines 80. Geburtstages, zum Ehrendirigenten ernannte.
Im diesjährigen Festtage-Konzert wird Musik von zwei Komponisten gespielt, zu denen Boulez eine besondere Beziehung besaß: das Violinkonzert von Alban Berg und die 4. Sinfonie von Gustav Mahler, mit der Solistin Jeanine De Bique. Dazu erklingt eine Komposition von Boulez selbst, die Notations für großes Orchester, mit denen die Staatskapelle durch frühere Aufführungen unter Daniel Barenboims Leitung eng vertraut ist.
Liederabend mit Joyce DiDonato
Zum Auftakt der Festtage gestaltet Joyce DiDonato am 11. April 2025 im Großen Saal der Staatsoper einen Liederabend mit Franz Schuberts Winterreise.
Begleitet von Maxim Emelyanychev am Klavier, wird die gefeierte Mezzosopranistin in ihrer Interpretation den Blick auf die Frau werfen, die in diesem Liederzyklus besungen wird. Im Dezember 2023 füllte Joyce DiDonato mit einem Liederabend den Großen Saal und begeisterte mit ihrem Hausdebüt das jubelnde Staatsopernpublikum.
Festtage 202511. bis 21. April 2025
Liederabend Joyce DiDonato
11. April 2025 um 19.30 Uhr | Staatsoper Unter den LindenParsifal
12. 15. 18. 20. April 2025 um 16.00 Uhr | Staatsoper Unter den LindenNorma (Premiere)
Premiere am 13. April 2025 um 18.00 Uhr | Staatsoper Unter den Linden, mit Live-Übertragung im rbb radio316. 21. April 2025 um 18.00 Uhr | Staatsoper Unter den LindenFesttage-Konzert Staatskapelle Berlin
19. April 2025 um 20.00 Uhr | Philharmonie Berlin
Eine Werk- und Konzerteinführung findet jeweils 45 Minuten vor Vorstellungsbeginn im Apollosaal bzw. im Südfoyer der Philharmonie statt.Staatsoper Unter den Linden
Unter den Linden 7
10117 BerlinBildnachweise: Bild 1: ©Holger Hage, Deutsche Grammophon
Taged as/in; Alban Berg, Andreas Schager, Anne-Sophie Mutter, Dmitri Tcherniakov, Dmitry Korchak, Elīna Garanča, Elmina Hasan, Franz Schubert, Gustav Mahler, Jeanine De Bique, Joyce DiDonato, Junho Hwang, Konzert, Kurt Rydl, Lauri Vasar, Maria Kokareva, Maxim Emelyanychev, Norma, Parsifal, Philippe Jordan, Rachel Willis-Sørensen, René Pape, Riccardo Fassi, Richard Wagner, Simone Young, Staatskapelle Berlin, Staatsoper Unter den Linden, Staatsopernchor, Tómas Tómasson, Vasily Barkhatov, Vincenzo Bellini, Winterreise#writtenby
-
Paloceras Redefines High-End Eyewear with Digital Craft
Merging digital aesthetics with artisanal mastery, Paloceras unveils its Pebble Collection—haute eyewear bridging virtual innovation and handcrafted excellence.
A New Era in Eyewear Design
Paloceras, the visionary design house founded by award-winning creatives Alexis Perron-Corriveau, Minna Hurmerinta, and Mika Matikainen, is set to revolutionize haute eyewear. With creative hubs in Lisbon and Helsinki, the brand seamlessly blends digital aesthetics with masterful craftsmanship. Paloceras offers a bold new perspective on eyewear design.
The Fusion of Digital and Physical
“At Paloceras, we’ve transformed intricate digital concepts into tangible forms, crafting eyewear that embodies both a tactile presence and a futuristic aesthetic,” explains Alexis Perron-Corriveau, Design Director.
Highlight: Pebble Havana Gold RX
Step into the future of eyewear with Pebble Havana Gold RX by Paloceras. This limited-edition design merges retro-futuristic aesthetics with precision craftsmanship, featuring Mazzucchelli’s eco-friendly Cellulose Acetate for a sleek yet sustainable finish. The warm Havana tortoiseshell meets luxe gold-tone detailing, creating a statement piece that blurs the line between digital innovation and artisanal mastery.
🔗 Discover more: Pebble Havana Gold RX
Eyewear as a Portal to Innovation
Paloceras pioneers a new design philosophy, drawing inspiration from digital realms to redefine traditional craftsmanship. “Our creations act as portals to a space where imagination and artistry converge,” says Mika Matikainen, Creative Director.
The brand’s groundbreaking approach extends beyond design into marketing. Paloceras has already made waves in the digital fashion world, with its virtual sunglasses available on Snap, Roblox, and Instagram garnering over five million virtual try-ons before the official launch. This innovative strategy has captured the attention of major fashion outlets, including Grazia UK, Bustle, Schön! Magazine, and VOGUE Hong Kong.
Personalization at Its Finest: Ocular Rebellion
For those seeking bespoke eyewear, Ocular Rebellion offers an unparalleled level of personalization. Each pair is meticulously handcrafted in London, allowing wearers to transform their unique vision into a tangible, wearable masterpiece that defies conventional eyewear norms.
A Bold Vision for the Future
The global launch of Paloceras marks the beginning of an exciting journey. “Paloceras thrives in the in-between spaces—where digital meets physical, where imagination challenges reality. We create refined artefacts for a world in constant evolution, breaking away from traditional constraints,” reflects Matikainen.
About Paloceras
Paloceras is a high-end design powerhouse with a digital-first approach. The brand explores the fluid intersections of digital and material. It also navigates the organic and generated aspects. The contrasts between imagination and reality are transformed into limitless creative possibilities.
By embracing both artisanal traditions and technological advancements, Paloceras crafts iconic eyewear for those eager to explore the uncharted territories of design.
🌐 Website: paloceras.com
Taged as/in; Acetate, Alexis Perron-Corriveau, bold, Cellulose, craftsmanship, design, Digital, eco-friendly, eyewear, fashion, Havana tortoiseshell, Helsinki, Instagram, lifestyle, Lisbon, Mika Matikainen, Minna Hurmerinta, Paloceras, Pebble Collection, Physical, retro-futuristic, trend#writtenby
-
Design is Human: Isola Design Festival 2025 in Milan
Join us at the Isola Design Festival 2025, Milan Design Week (7–13 April), to explore human-driven, sustainable, and innovative design. #DesignIsHuman
Reshaping the Role of Humanity-Driven Design at Isola Design Festival 2025
7—13 April 2025 | Milan Design Week
The Isola Design Festival 2025, organized by the dynamic digital and physical design platform Isola, is set to return for its 9th edition from April 7 to 13, 2025, during Milan Design Week. Known for its transformative approach to contemporary design, Isola has firmly established itself as a global hub for independent designers, creators, and brands. Its commitment to blending traditional craftsmanship with cutting-edge digital innovation remains central to its ethos, especially with its new Dubai outpost.
This year’s festival theme, Design is Human, delves into the vital relationship between design and humanity, focusing on how design can enhance both the well-being of individuals and the environment. Through this lens, Isola Design Festival will explore the fusion of sustainability, social impact, and functional design, emphasizing the human experience as the core of every design decision. The theme celebrates human creativity, honoring it as the driving force behind impactful and responsible design solutions.
The Heart of Isola Design Festival: BasicVillage
A new venue, BasicVillage, located in the industrial heart of Isola, will serve as the focal point of the 2025 festival. This venue, formerly a rubber factory, has been transformed into a dynamic space for creative exchange and exhibitions. As the district expands, BasicVillage will infuse the area with new creative energy, showcasing three thoughtfully curated collective exhibitions: Conscious Objects, Isola Design Gallery, and Openspace.
Conscious Objects invites visitors to engage with design in a multisensory way, from tactile experiences to interactive elements that explore sustainability, functionality, and playfulness. Objects in this exhibition challenge traditional ideas of design by incorporating adaptability and interaction, merging human craftsmanship with digital and robotic technology.
In parallel, Isola Design Gallery presents collectible design that tells a story, bringing together a variety of setups that explore how contemporary interiors can reflect diverse lifestyles. The exhibition offers a platform for designers to showcase unique, handcrafted pieces that explore new approaches to living and design.
Openspace will act as a dynamic hub for startups, eco-tech brands, and material innovators, providing a glimpse into the future of design. This area will foster collaborations and inspire visitors with new materials, processes, and technologies that are shaping the future of design.
Celebrating Cultural and Sustainable Design
The festival also shines a spotlight on international and local collaborations, such as Rasa – The Indian Collective, an exhibition celebrating India’s rich craftsmanship through contemporary design. Featured will be over 15 Indian designers showcasing hand-blown glass, textiles, and furniture that bridge tradition with modernity.
Additionally, ENHANCE, curated by Juan Torres for DesignWanted, will challenge conventional design boundaries by aligning with the United Nations’ Sustainable Development Goals. This exhibition showcases projects that turn deep research into meaningful solutions, pushing the boundaries of design to shape a better future.
Future Design Innovations
The Isola Design Awards Winners’ Showcase will bring to Milan the outstanding winners of the 2024 awards, showcasing designs that reflect the innovative spirit of Isola’s global community. Isola is also launching the 5th edition of its open call, continuing to inspire designers to push their craft to new heights.
Experiential Design Across Milan
Beyond BasicVillage, the Isola neighborhood will transform into a vibrant design district, featuring a wide range of exhibitions, workshops, and live demonstrations. Notable projects like La Vie En Gloss, presented by Kérastase at BAM, and Deus Ex Machina by Arno Hoogland, explore the intersection of beauty, technology, and sustainable design, providing an immersive experience that blends physical and virtual worlds.
A Celebration of Human-Centered Creativity
As the festival continues to expand, Isola remains dedicated to celebrating the human element of design. From the cultural craftsmanship of India to the sustainability-driven innovations of local designers, the Isola Design Festival 2025 promises to be an exploration of design’s potential to shape our world, our communities, and our futures. Visitors can expect a week filled with creativity, innovation, and thoughtful dialogue around design’s power to connect humanity with the planet.
Event Details:
Dates: 7—13 April 2025
Location: Isola Design District, Milan
Opening Hours:- Monday, 7 April: 2 p.m. – 7 p.m.
- Tuesday–Saturday: 10 a.m. – 7 p.m.
- Sunday, 13 April: 10 a.m. – 3 p.m.
This year’s festival is set to redefine design as we know it, reaffirming that design is indeed human.
Taged as/in; creativity, design, human, Isola Design District, Isola Design Festival, Isola Design Group, Milan, Milan Design Week, MINT LIST#writtenby
You must be logged in to post a comment.