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Tokyo’s Avant-Garde Unveiled: Cinettica 7th Edition Review
Tokyo experienced an immersive collision of style, sound, and subculture as Cinettica’s 7th edition landed, delivering a future-forward creative spectacle.
Setting the Stage for Tokyo’s Creative Nexus: A Global Hub for Innovation
Tokyo stood as a vibrant metropolis, a global epicenter where ancient traditions seamlessly intertwined with cutting-edge innovation. This dynamic city consistently pushed the boundaries of fashion, art, and technology, making it an ideal canvas for groundbreaking creative expressions.
The diverse subcultures and forward-thinking spirit created an environment where artistic experimentation thrived. This set the perfect backdrop for events that aimed to redefine cultural landscapes. The city’s inherent dynamism and its embrace of the new made it a natural home for pioneering creative endeavors.
Cinettica Fashion & Art Film Festival – A global Key Player
Within this bustling creative ecosystem, the Cinettica Fashion & Art Film Festival emerged as a pivotal international platform. It consistently pushed boundaries across fashion, film, art, and music, dedicated to amplifying diverse creative voices and showcasing cutting-edge work. The festival’s global expansion saw each location bring its own unique flavor, reflecting local culture while upholding Cinettica’s core mission of celebrating innovation across all art forms.
The selection of Tokyo for its 7th edition was therefore not merely a logistical choice but a deliberate alignment. Tokyo itself embodied the festival’s core values of innovation, blending high-tech advancements with vibrant subcultures, effectively making the city an extension of Cinettica’s ethos.
This strategic alignment suggested that the Tokyo edition profoundly engaged with the city’s unique blend of futuristic vision. It also engaged deeply with cultural narratives. This offered an experience distinct from other Cinettica locations. Yet, it was profoundly true to its overarching mission.
Cinettica’s Vision: A Platform for Creative Disruption
Cinettica’s journey began with a vision born in New York City, founded by the astute music producer and filmmaker Dfaniks. From its inaugural editions in Mexico, the festival rapidly evolved into an international phenomenon, deeply embedded in the vibrant and dynamic subcultures of the world’s most iconic cities. It consistently showcased cutting-edge work and fostered a global community of creatives committed to pushing artistic envelopes.
Exploring Cinettica’s Mission and History
Dfaniks himself articulated the festival’s deeper purpose, discussing “Fashion as a way of cognition and a tool for revealing individuality and diversity” at influential gatherings like the BRICS+ Fashion Summit.
This foundational philosophy underscored Cinettica’s role not just as an event. It served as a movement dedicated to representing artists. These artists challenged conventions and redefined what was possible in their respective fields.
Unique Blend of Fashion, Film, Art, and Technology
Cinettica transcended traditional festival formats by seamlessly integrating diverse creative disciplines. It was more than just a festival; it was a platform that embraced new technologies and digital platforms to reach a wider, more tech-savvy audience.
The festival’s forward-thinking approach was exemplified by concepts like “World Fashion Shorts,” which combined fashion, film, and video art, actively developing a genre that had seen significant growth over the last decade. Projects integrating cinema, technology, and design were central to Cinettica’s ethos, encapsulating the changing landscape of the creative industry.
The consistent recognition Cinettica received in avant-garde publications further solidified its role as a trendsetter. It was not simply reflecting current trends; it actively contributed to shaping them by identifying and elevating artists who were pushing societal and artistic boundaries. This positioned Cinettica as a key indicator of the future direction of creative industries. Occupying a crucial spot where fashion, art, and technology converged.
Reviewing the 7th Edition: Tokyo’s Immersive Collision
Initial inquiries into the “7th Cinettica Tokio Edition” had suggested a retrospective review. However, in-depth investigation prior to the event revealed a crucial clarification: the 7th Cinettica Tokio Edition was not a past event to be reviewed, but a highly anticipated spectacle.
Location and Atmosphere: Club HVEN’s Promise Delivered
The venue for this singular event was Club HVEN, where the festival unfolded for “one night only” on June 21, 2025. The choice of Club HVEN aligned perfectly with Cinettica’s roots in vibrant subcultures. This choice hinted at an immersive and perhaps unconventional experience. The setting delivered an atmosphere that transcended traditional exhibition spaces. It invited attendees into a dynamic environment where art, fashion, and music converged in a truly unique way.
Thematic Direction: Style, Sound, and Subculture Realized
The overarching thematic direction for the 7th edition was described as “A singular collision of style, sound, and subculture,” featuring “A global line-up of independent designers”. Specific names of designers or artists were not widely available beforehand. However, this description provided a compelling sense of the event’s artistic direction. It delivered a fusion of cutting-edge aesthetics. There were also auditory experiences rooted in contemporary subcultural movements.
The consistent absence of a detailed program or specific lineup information on Cinettica’s main website for the Tokyo event was noticeable. Despite its confirmed date on ticketing platforms, this pointed to a deliberate strategy. For an avant-garde or subculture-focused festival, a precise, pre-announced lineup might not have been the primary attraction. Instead, the allure lay in the unexpected, the immersive experience, and the discovery of emerging talent.
This approach built anticipation and fostered a sense of exclusivity and discovery among attendees. It encouraged them to come for the overall experience and the festival’s distinct vibe, rather than for specific headliners.
Aligning perfectly with Cinettica’s mission of “creative disruption” and showcasing those “unafraid to take risks.” In this context, the mystery surrounding the exact program became a significant part of the event’s appeal. Its successful execution proved the strategy effective.
Tokyo’s Broader Creative Canvas: Innovation Beyond Boundaries
Cinettica’s decision to host its 7th edition in Tokyo was deeply resonant with the city’s broader commitment to blending art, design, fashion, and technology. Tokyo was not merely a backdrop but an active participant in the evolution of creative industries. Cinettica’s presence here highlighted how it fit into a larger, thriving ecosystem of innovative events that collectively positioned Tokyo as a global leader in future-forward aesthetics.
Parallel Creative Expressions
Together, Cinettica, Tokyo Creative Salon, Tokyo AI Fashion Week, and DESIGNART TOKYO highlighted Tokyo’s role as a hub where fashion, art, and technology intersect. Each event explored disruption and innovation in its own way. TCS turned the city into an open canvas. AI Fashion Week reimagined design through tech. DESIGNART connected diverse disciplines.
This synergy positioned Tokyo as a global testbed for new aesthetic ideas. Cinettica’s involvement was a natural extension, reinforcing Tokyo as fertile ground for the “creative disruption” it stands for, making the 7th edition part of a larger cultural shift rather than just a standalone event.
The Cinettica Experience: Beyond Conventional, Immersive and Boundary-Pushing Nature
The Cinettica experience was designed to be an immersive journey, far removed from a passive viewing. The festival was committed to showcasing artists who challenged conventions and redefined possibilities, creating a dynamic environment where audiences were actively encouraged to engage with the art.
This commitment to “complete immersion” in visuals and concepts was a hallmark of Cinettica’s approach, transforming attendees from spectators into participants in a living, evolving artistic dialogue.
Fostering a Global Community of Creatives
Beyond the individual showcases, a core aspect of Cinettica’s success lay in its ability to foster a global community of creatives. It attracted both emerging and established artists. It provided a vital platform for them to connect with like-minded individuals. They could collaborate and showcase their work to a global audience. This went beyond mere exhibition; it was about building enduring relationships and inspiring continuous innovation.
The Cinettica experience is designed to be transformative, not just transactional. It aimed to cultivate a lasting network and inspire continuous innovation among its participants and audience, positioning itself as an essential ecosystem for the avant-garde.
Shaping the Future of Creative Expression
The Cinettica Fashion & Art Film Festival has been instrumental in pushing the boundaries of fashion, art, and technology. Its core strength lies in championing creative disruption and spotlighting artists shaping the future of aesthetics.
Looking ahead, Cinettica plans to expand to new cities. Cinettica aims to deepen its digital presence to reach wider audiences. This will drive cultural change. Its growth to a 7th edition — with more to come — reflects its resilience and commitment to staying relevant by embracing new technologies and platforms. This positions Cinettica as an agile, influential force shaping the creative industries’ future.
Discover more at: https://www.cinetticafashionfestival.com/
Taged as/in; art, avantgarde, Cinema, Cinettica Fashion & Art Film Festival, club, community, creativity, culture, design, Dfaniks, event, experience, fashion, Festival, Film, future, global, HVEN, independent, innovation, June, Music, Platform, sound, style, subculture, technology, Tokyo, Vision -
Synesthetic4 Unveils ‘Bread’: Raw, Fresh Austrian Jazz
Synesthetic4’s new album Bread breaks old patterns: raw groove, fresh ideas, no click track — just pure, live jazz. Out now!
The Austrian quartet Synesthetic4 was founded in 2017 by Peter Rom and Vincent Pongracz. Their debut album Pickendem won the German Record Critics’ Award, and in 2024 the ensemble was awarded the first Austrian Jazz Prize.
Their fourth studio album, „Bread“, is now being released. Bands that collaborate over an extended period and regularly release music often face the question of whether to venture into new territory, delve deeper into familiar themes without repeating themselves, or simply deliberately repeat themselves.
Synesthetic4‘s last album, “Ahwowha” (2023), was compositionally clearly an uncompromising, conceptual deepening of ideas that had already surfaced in their debut album Pickedem, with a strong focus on post-production. This gradual intensification of themes is clearly broken with Bread.
Vincent Pongracz’s compositions offer a breath of fresh air by distancing themselves from internalized structures and established concepts, placing complete trust in groove, feeling, and simplicity of ideas without imposing conceptual constructs on them.
With these new pieces, Pongracz takes the risk of sounding naive. During the recording, emphasis was placed on making music together. The four musicians played together in a room without click track or headphones.
Line-up:
Vincent Pongrácz — Clarinet, Vocals
Peter Rom — Guitar
Manuel Mayr — Bass
Andreas Lettner — DrumsLinks:
About Synesthetic4
Synesthetic4 is an Austrian jazz quartet founded in 2017 by clarinetist and composer Vincent Pongrácz and guitarist Peter Rom. Known for their fearless musical explorations, the group moves fluidly between intricate compositions, free improvisation, and genre-bending grooves.
Their debut album Pickedem won the German Record Critics’ Award, marking them as one of Europe’s most exciting contemporary jazz ensembles. In 2024, they were honored with the first Austrian Jazz Prize, further cementing their reputation for innovation and artistic depth.
With each release, Synesthetic4 redefines its sound. From the conceptual depths of Ahwowha to the raw, organic energy of their latest album Bread, the quartet keeps pushing boundaries while staying deeply rooted in the joy of collective music-making.
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Franz Matthews & Bonnie Spacey Chapter 32 Out now
Say hello to Chapter 32 — new EP from Franz Matthews & Bonnie Spacey. Romantic Raver & Walk On By out now on Critical Monday. Let’s dance!
Say hello to Chapter 32 — the brand new EP from Franz Matthews & Bonnie Spacey. After dropping our first EP together last year on HIFI/LOFI, we’re back at it with two fresh tracks, now landing on the Critical Monday runway.
First up: Romantic Raver — our little love letter to the club scene we can’t quit. It’s sugary, punchy, high-energy, and made to make you grin at 3AM. Think colorful synths, happy vibes, groovy house pianos, and a kick that says “let’s dance.”But wait — plot twist.
The B-side, Walk On By, flips the script. A deeper, moodier ride, somewhere between Berlin deep house and sneaky electroclash. A bit darker, a bit weirder, maybe even a bit more personal. We won’t say too much — we’ll let your ears do the exploring.
We hope you’ll give these two as warm a welcome as the first ones.
Catch you on the dancefloor!Talking about the dancefloor, see you:
- 12.07 at Sisyphos (Berlin) – LIVE
- 13.07 at Birgit (Berlin)
- 25.07 at Crack Bellmer (Berlin)
- 20.08 at L’Escargot (Hossegor)
- 20.09 at Fluctuations Festival (Paris)
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Extrême Intensité: The Populists Unleash Rave Mayhem
The Populists drop Extrême Intensité on Deadbeat Records July 18—rave, acid, breakbeats & a killer Mr Ho remix. Heavy rotation all summer!
The Populists—the alias of Yan Wagner—are about to unleash their latest assault on the dancefloor with the hotly anticipated EP, Extrême Intensité, dropping on Deadbeat Records this July. When these demos landed in our inbox, we instantly knew that we needed to release it. This couldn’t be more Deadbeat if it tried; ravey, playful, serious, silly, banging. With the singles Git Gud and Bear Knuckles, you can expect this to be on heavy rotation throughout this summer and beyond.
Extrême Intensité is produced in the vibrant heart of Marseilles, France. It is a raw, unapologetic salute to UK rave, early dubstep, electro, and acid. These are the sounds that make your head spin and your jaw shake. Yan describes the project as “probably the most heavy and ‘brainless’ (in the best way) bunch of tracks I’ve ever created; the most UK sounding too.”
This new EP was produced in Yan’s home studio in Marseilles in March 2025. This happened amidst a fierce USBJ digging craze. It emerged as a most welcome breath of fresh air. Yan was immersed in the production process of another, more sombre project. Packing hallmark breakbeats, gritty samples, and vintage Roland synths, all wrapped up in a playful, confident package designed to obliterate the dancefloor.
And to cap things off, Mr Ho, one of the current scene’s biggest producers and close friend of the label, has delivered a sick remix. All guarantees to keep dance floors ablaze.
Artist: The Populists
Release: Extrême Intensité
Label: Deadbeat Records
Release Date: July 18, 2025A1. Bear Knuckles
A2. Git Gud
B1. Extrême Intensité
B2. Git Gud (Mr. Ho Remix)Here’s a polished artist bio based on deep research:
About The Populists (Yan Wagner)
Yan Wagner was born on June 8, 1983, in Paris. He is a Franco‑American singer‑songwriter, producer and composer. He seamlessly bridges pop, electro, new wave, EBM, and club-oriented sounds. Releasing his debut solo album Forty Eight Hours in 2012, he cemented his place as a formidable voice in modern electronic music. Follow-up albums This Never Happened (2017) and Couleur Chaos (2021) demonstrated his evolution. He moved from dark-wave crooning to disco-infused pop sung in French.
Since 2014, Yan channels his club‑obsessed alter‑ego The Populists. This project is inspired by Detroit electro, European new beat, and acid house. His early EPs—Soft Power (2014) and Lipdub (2015)—debuted on respected labels like Space Factory and Days of Being Wild. Notably his 2015 remix of Bagarre’s “Le Gouffre” exploded years later on dancefloors worldwide, picking up support from DJ heavyweights like Solomun, Dixon and The Hacker. Vinyl reissues on Detriti/Zone followed, praised as “future new‑beat classics”.
Under The Populists, his sound is a heady mix of vintage synths, gritty breakbeats, acid squelch and sense of humor—all with a satirical nod to political populism in club culture (soundcloud.com). Based between Paris and Marseille, Yan is also an in-demand collaborator: vocalist on Gesaffelstein’s 2024 LP Gamma, co‑director of a Portishead tribute at Printemps de Bourges, and composer for the Cannes-selected film Animale.
Marrying his love for crossover sounds—from drum’n’bass to 90’s chemical‑brothers‑style genre-bending—Yan Wagner continually pushes boundaries (tsugi.fr). With Extrême Intensité, he returns with The Populists to deliver unapologetic, rave‑ready tracks that recall the spirit of UK dance culture and acid‑electro aesthetics.
Taged as/in; club, dance floor, DJ tool, dubstep, Electro, EP release, Marseilles, new release, Producer, Rave, Remix, UK rave, vinyl, Yan Wagner -
Tanz im Sommer: Drei neue Produktionen in den Uferstudios
Drei Tanzabende in den Uferstudios Berlin: Verlust, KI & Aufbruch – TAW’AM, Morphoses und confluence zeigen zeitgenössischen Tanz im Juli 2025.
Die Uferstudios Berlin laden im Juni und Juli 2025 zu drei spannenden Tanzabenden ein, die sich mit existenziellen Fragen, künstlicher Intelligenz und dem Aufbruch junger Tänzer:innen auseinandersetzen.
TAW’AM — Jouana Samia
10. Juli 2025, 20:30 Uhr
11. & 12. Juli 2025, 19:00 Uhr • Studio 1
In TAW’AM erforscht Jouana Samia den im Körper gespeicherten Kummer und die Frage, wie Identität nach einem frühen Verlust wiederhergestellt werden kann. Das Stück ist eine somatische Untersuchung der Zwillingsschaft und beschäftigt sich mit dem Verlust und den emotionalen Rückständen einer unterbrochenen Verbindung. Dabei geht es nicht um einen Abschluss, sondern um das Erinnern durch Bewegung: Die Abwesenheit wird als Präsenz getragen und eine Ganzheit zusammengesetzt, die immer zerbrochen, aber nie verschwunden war.
MORPHOSES — Christine Bonansea Saulut & Luca Forcucci
18.–20. Juli 2025, 19:00 Uhr • Studio 1
Morphoses untersucht die faszinierende Spannung zwischen der körperlichen Präsenz der Darsteller:innen und der körperlosen Natur der künstlichen Intelligenz. Die elektroakustische Komposition fungiert als vermittelnde Kraft zwischen physischen und virtuellen Räumen. So entsteht ein intensiver Dialog zwischen menschlichem Ausdruck und künstlichen Agent:innen, der Harmonien und Widersprüche offenlegt — und unsere Wahrnehmung von Verkörperung, Technologie und künstlerischem Schaffen in Frage stellt.
CONFLUENCE — Berlin Dance Institute
25. & 26. Juli 2025, 19:00 Uhr • Studio 14
Mit confluence präsentieren die Student:innen des dritten Ausbildungsjahres der dreijährigen Bühnentanzausbildung am Berlin Dance Institute ihre Abschlussarbeiten. Der Titel confluence steht für das Zusammenfließen verschiedener künstlerischer Impulse, Stile und Persönlichkeiten. Der Abend feiert die Kraft des zeitgenössischen Tanzes und markiert gleichzeitig den Aufbruch in eine professionelle Karriere — mit einer vielfältigen Auswahl spannender Choreografien.
Uferstr. 8/23 & Badstr. 41a
13357 Berlin
www.uferstudios.comÜber die Uferstudios
Die Uferstudios in Berlin-Wedding sind ein lebendiger Produktions- und Aufführungsort für zeitgenössischen Tanz. In den ehemaligen Betriebshöfen der Berliner Verkehrsbetriebe (BVG) arbeiten heute Künstlerinnen, Choreografinnen und freie Kompanien an der Schnittstelle von Tanz, Forschung und künstlerischer Bildung. Seit ihrer Eröffnung im Jahr 2010 haben sich die Uferstudios als international vernetzter Kreativort etabliert.
Mit 14 Studios, Aufführungsräumen und offenen Probenflächen bieten die Uferstudios Raum für Experimente, Residenzen und Präsentationen. Neben lokalen und internationalen Gastspielen finden hier auch Workshops, Diskurse und interdisziplinäre Projekte statt. Die Uferstudios stehen für eine offene, diverse Szene, die den zeitgenössischen Tanz immer wieder neu denkt und für die Stadtgesellschaft zugänglich macht.
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Poison Gauchiste – Musique Pour Enfiler Des Perles EP
Poison Gauchiste (Eric Labbé) blends jazz, krautrock & disco into quirky, lush tracks. New EP Musique Pour Enfiler Des Perles out Sept 20!
Eric Labbé has been producing music under the name Poison Gauchiste since 2020. Before that, he was better known as a DJ, event organizer, and nightlife activist who played a key role in revitalizing the Parisian scene over the past fifteen years.
But that doesn’t make him a newcomer to music. His new alias (a tongue-in-cheek jab at the general shift to the right) is simply the continuation of a winding musical journey that includes jazz (he was once a drummer) and electroclash (with the duo Headphone Karaoké in the 2000s).
Poison Gauchiste © Philippe Levy What might be somewhat unique about his music is that he’s never tried to filter out his wide-ranging influences — from bebop to krautrock, afrobeat, Italo disco, and American minimalism — all of which resurface subliminally in his tracks structured by a classic yet joyful Detroit-Berlin electronic grammar.
Release:
“Musique Pour Enfiler Des Perles” is the third EP by Poison Gauchiste, aka Eric Labbé, following “Musique Pour Faire Différentes Choses” and “Musique Pour Monter En Haut”. It is the result of a slow maturation process, shaped by summer idleness and long winter evenings over the past two years. The EP features five compositions that, as always, blend quirky influences with distinctly personal oddities.
Caution: several of these tracks contain rhythms that might inspire dancing — though it’s unclear whether listeners will actually follow through, given the spells of languor and melancholy that occasionally drift onto the dancefloor…
All tracks by Eric Labbé
Mixed and engineered by Jean-Baptiste Madry
Mastered by Sam Berdah at The Wall StudioCover design by Agnès Dahan Studio
Photo by LuLúxpo
Font by Bureau BrutTrack by track:
“Légumes Farcis” (“Stuffed Vegetables”)
A little refrain built around several arpeggio motifs and a few pretty far-out synths — including one (the one that opens the track) that drives my dog Mylo wild: he starts growling and/or singing when he hears it. If anyone plays it for their dog, I’d love to get some feedback.
“L’Amour, La Danse, La Révolution” (“Love, Dance, Revolution”)
Is a straightforward answer to the question: “But really, what are you into in life?” This track has the scent of early-2000s electro, with a slightly new wave-style bassline, some brain-tickling motifs that call for raised arms, and a bunch of weird little sounds doing their own thing deep in the background.
“Sept Petits Pas Vers Nulle Part” (“Seven Small Steps to Nowhere”)
Named that way because — strangely enough — one of its main motifs is in 7 counts instead of 8, even though the track is fully binary. So the motif shifts out of sync with the rest of the instruments every bar. Otherwise, it reminds me of my early love for the Cologne scene around the Kompakt label. I’d love to know what Michael Mayer thinks of it.
“Le Junkie Du Cosmos” (“The Cosmos Junkie”)
Both a bold statement about my fondness for altered states of consciousness and a love letter to astrophysics and cosmology. Its full title is “Le junkie du cosmos sauvé par JB” (“The Cosmos Junkie Saved by JB”) because Jean-Baptiste Madry did the final edit at a moment when I was this close to giving up on it. And now it’s the one that works best, in my opinion, in the middle of a house set — so thanks, JB.
“Bergerie” (“Sheepfold”)
A kind of Balearic adventure: with its 100 BPM, acoustic guitar, and pizzicato strings mixed with dubby synths soaked in reverb, it clearly evokes a late afternoon sipping cocktails on a deserted beach.
release date :September 20th, 2025
label: Paradise Children Records
catalog no: PCR014Taged as/in; afrobeat, American minimalism, Balearic, Dance, Disco, DJ, Electro, EP, House, Indie, Indie Dance, italo disco, jazz, Krautrock, minimalism, Musique Pour Enfiler Des Perles, newwave, nightlife, Paradise Children Records, Paris, Poison Gauchiste, Producer, underground -
Various Artists – Iptamenos Discotek Vol. 2
Iptamenos Discos turns 4! Celebrate with Iptamenos Discotek Vol. 2 and KASETA 002 — digital July 4th, cassette August 8th. #ElectronicMusic
This summer, Iptamenos Discos proudly celebrates its four-year anniversary with the release of a new digital compilation, Iptamenos Discotek Vol. 2, and limited-edition cassette KASETA 002, available digitally on July 4th, 2025 and on tape August 8th, 2025.
Founded in 2021 by Berlin-based duo Local Suicide, Iptamenos Discos started as a passion project. It has steadily evolved into a prominent platform for cutting-edge electronic music. The label champions leftfield dance sounds. It remains rooted in DIY spirit and cosmic aesthetics.
The label’s output spans Indie Dance, Dark Disco, EBM, Electroclash, Synth Wave, and Italo-tinged club music. It serves as a home for a growing international community of genre-defying artists. Over the past four years, Iptamenos Discos has released acclaimed music from artists such as Dina Summer, Boys’ Shorts, Kalipo, Wiener Planquadrat, Curses, Psycho Weazel, Skelesys, Alexandra Feusi and many more.
A curated collection of remixes
Titled after the label’s own event series, Iptamenos Discotek Vol. 2 continues the tradition of its predecessor with two distinct volumes. The first is composed of fifteen original tracks. The second is a curated collection of remixes by some of the most respected names in the scene.
Volume 1 features standout contributions from Local Suicide, Psycho Weazel, Boys’ Shorts, Dina Summer, Kalipo, T.Raumhouse, Oh!, Jëan Fixx, Wiener Planquadrat, Alexandra Feusi, and others.
Volume 2 highlights reinterpretations by renowned producers. The latest includes DJ Hell, Marvin & Guy, Whitesquare, Gabe Gurnsey, Damon Jee, The Populists, Arnaud Rebotini, Andre VII, Karassimeon, and more.
physical formats and analog culture
Alongside the 30-track digital release, the label presents a special 90min cassette edition. This edition features a tightly curated mix of 11 originals and 7 remixes across two sides. The cassette is packaged with artwork by Benedikt Demmer (Druckwelle). It is mastered by Sam Berdah (The Wall). The cassette revisits the tactile nostalgia of the ‘90s. It highlights the label’s enduring affinity for physical formats and analog culture.
Local Suicide have topped the Beatport and Juno Download charts. They have hosted their own Iptamenos Diskotek events in Berlin, Paris, Vienna, Thessaloniki, and Munich. Through these achievements, Local Suicide have cultivated a label with global reach and a uniquely personal voice.
With the addition of their publishing arm Iptamenos Notes, the duo continues to expand the platform’s impact. They create sustainable pathways for artists to thrive both on and off the dancefloor.
Taged as/in; Alexandra Feusi, anniversary, berlin, Boys’ Shorts, Cassette, club, Compilation, Curses, Dance, Dark Disco, Dina Summer, DIY, EBM, electroclash, Indie Dance, Iptamenos Discos, Iptamenos Discotek, italo disco, Kalipo, Leftfield, Local Suicide, Psycho Weazel, Skelesys, Synthwave, Wiener Planquadrat -
UN bekräftigt Schutz queerer Menschenrechte
UN verlängert Mandat für Schutz queerer Menschenrechte – LSVD⁺ begrüßt klares Signal gegen Diskriminierung und Gewalt weltweit. #Menschenrechte
Ein wichtiges Signal für die Rechte von LSBTQ-Personen weltweit: Der Menschenrechtsrat der Vereinten Nationen hat das Mandat des bislang einzigen Menschenrechtsexperten im UN-System verlängert, der sich gezielt dem Schutz vor Gewalt und Diskriminierung aufgrund sexueller Orientierung und geschlechtlicher Identität (SOGI) widmet.
Mit dieser Entscheidung erinnert der UN-Menschenrechtsrat die Mitgliedsstaaten erneut an ihre Pflicht, die Rechte von LSBTQ und geschlechtsdiversen Menschen zu achten, zu schützen und zu gewährleisten.
Philipp Braun, Bundesvorstand des LSVD⁺ – Verband Queere Vielfalt, begrüßt das klare Signal:
„Der LSVD⁺ sieht in diesem Votum einen wichtigen Erfolg für den internationalen Menschenrechtsschutz. Gerade jetzt, da queere Menschen weltweit unter Druck stehen, ist diese Bestätigung dringend nötig. LSBTQ-Personen werden vielerorts angefeindet und sind oft Gewalt durch staatliche Behörden oder Ordnungskräfte ausgesetzt.
Der LSVD⁺ ruft gemeinsam mit zivilgesellschaftlichen Organisationen weltweit alle Regierungen auf, den Unabhängigen Experten bei seiner Arbeit zu unterstützen – für eine Welt ohne Gewalt und Diskriminierung.“
Ein wichtiges Mandat für queere Menschenrechte
LSBTQ-Personen: Diese Abkürzung steht für Lesbisch, Schwul, Bisexuell, Trans und Queer*. Sie betont sexuelle Orientierungen und geschlechtliche Identitäten, die von der gesellschaftlichen “Norm” abweichen.
LGBTQIA+: Diese internationale, weiter gefasste Abkürzung steht für Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, Intersex, Asexual und + als Platzhalter für weitere Identitäten (z. B. pansexuell, nicht-binär).
Beide Begriffe zeigen, dass Vielfalt in sexueller Orientierung und Geschlechtsidentität anerkannt und benannt wird.Die Resolution wurde nach einer internationalen Kampagne von 1.259 Nichtregierungsorganisationen aus 157 Ländern mit 29 Ja-Stimmen (darunter Deutschland), 15 Gegenstimmen und 3 Enthaltungen angenommen. Aktuell hat der südafrikanische Wissenschaftler Graeme Reid das Mandat inne. Seit seiner Einführung 2016 wurde es bereits von Vitit Muntarbhorn (Thailand) und Victor Madrigal-Borloz (Costa Rica) getragen.
Der Unabhängige Experte untersucht Menschenrechtsverletzungen, unterstützt Staaten bei der Umsetzung internationaler Standards und verleiht den Stimmen von LSBTQ-Personen internationales Gewicht. Seit 2016 wurden elf Länderbesuche durchgeführt. Zusätzlich wurden 17 Berichte veröffentlicht. Außerdem sind Mitteilungen an 171 Staaten verschickt worden. Diese betrafen Themen wie die Kriminalisierung gleichgeschlechtlicher Beziehungen. Weitere Themen waren die rechtliche Anerkennung von Geschlecht und die Lage gewaltsam vertriebener LSBTQ-Personen.
Mit der erneuten Verlängerung für drei Jahre wird diese wichtige Arbeit fortgesetzt – für eine Welt, in der niemand aufgrund seiner sexuellen Orientierung oder geschlechtlichen Identität diskriminiert wird.
Der LSVD⁺ – Verband Queere Vielfalt ist ein Bürgerrechtsverband, der sich für die Interessen lesbischer, schwuler, bisexueller, trans*, intergeschlechtlicher und weiterer queerer Menschen einsetzt. Ziel ist eine Gesellschaft, in der LSBTIQ* selbstverständlich akzeptiert und respektiert werden.
Mehr Informationen:
Wer die Arbeit des Verbands unterstützen möchte, kann dies mit einer Spende oder Mitgliedschaft tun.
Taged as/in; Diskriminierung, Freiheit, Gleichberechtigung, GraemeReid, Menschenrechte, queer, SOGI, solidarität, UN, Vielfalt
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