• ,

    StraZ – Iwillovyou EP via Intimate Jungle Pulse Out now

    StraZ returns with Iwillovyou — 152 BPM of textured electronica, jungle grooves and intimate emotion, driven by pulse, vulnerability and movement.

    With Iwillovyou, StraZ unveils a more intimate yet kinetic chapter of his current release series. Built around 152 BPM, the track blends textured electronica, ambient atmospheres and jungle-inflected grooves. Repetitive yet evolving synth riffs are wrapped in electric guitar pads, while a delicate sampled vocal — “I Will Love You”, taken from a song by his partner UNA — adds a deeply personal emotional layer.

    Iwillovyou is the third track in this new run of releases. It continues StraZ’s exploration of the space between human vulnerability and rhythmic propulsion. The track balances warmth, movement, and detail. Designed for immersive listening as much as forward-leaning playlists, the track reinforces StraZ’s signature sound: textured electronica where emotion and pulse move forward together.

    Artist: StraZ
    Release: Iwillovyou
    Label: FDL Records
    Release Date: February 6, 2026

    On: FDL Records 
    Via: Silent Shout

    Instagram

    © FATdrop 2026

    #writtenby:

    Silent Shout Avatar
  • ,

    Club & Raum Konferenz: Clubkultur braucht Raum zum Atmen

    Berlin schützt seine Clubkultur! Auf der Club & Raum Konferenz diskutieren Politik, Verwaltung & Immobilienwirtschaft konkrete Schritte für Nachtleben.

    Die Clubcommission bringt Politik, Verwaltung, Immobilienwirtschaft und die Clubkultur an einen Tisch. Die zweite Club & Raum Konferenz zeigte nicht nur, wie dringend Berlin sein Nachtleben schützen muss, sondern auch, wie viel in der Stadt bereits in Bewegung ist und welche konkreten Schritte jetzt gemeinsam gehen können.

    Morgens um neun vor der Ritter Butzke: Um diese Uhrzeit gehen sonst durchgefeierte Menschen ihren Heimweg. Jetzt stehen dort gut gekleidete Menschen mit neugierigen Gesichtern. Sie halten Kaffeebecher in der Hand. Muss man Angst haben, dass hier bald der nächste Büroturm entsteht?

    Im Gegenteil: Die Clubcommission hat zur zweiten Club & Raum Konferenz eingeladen und Menschen aus Immobilienwirtschaft, Verwaltung, Politik und natürlich der Berliner Clubkultur zusammengebracht. Am Mittwoch, dem 28. Januar 2026, bot der Fachtag für Fragen rund um Stadtentwicklung, Zusammenarbeit, Raumbedarf und Kommunikation einen gebührenden Jahresauftakt für die Clubkultur.

    Für einen starken Auftakt sorgten internationale Best Practice Beispiele aus London, Kharkiv und Berlin. Während in London ein gemeinschaftlich getragenes Clubmodell neue Wege der Raumnutzung aufzeigt, entstand in Kharkiv nahe der Frontlinie ein neuer Club, der im wahrsten Sinne des Wortes ein Safer Space ist.

    Anton Nazarko vom Kulturzentrum Some People reiste zwei Tage mit dem Zug nach Berlin. Er wollte zeigen, welche existenzielle Bedeutung Clubkultur haben kann. Auf einer bombensicheren Tanzfläche begegnen sich dort Kulturschaffende, Nachbar:innen und Soldaten gemeinsam, auch wenn nur wenige Kilometer weiter der Krieg tobt.

    Politisches Forum: Parteien setzen Zeichen für Berliner Clubkultur

    Den Höhepunkt des Tages bildete das politische Forum unter der Moderation von Marcel Weber, dem Vorsitzenden der Clubcommission Berlin. Vertreter:innen aller demokratischen Fraktionen im Berliner Abgeordnetenhaus diskutierten über die Voraussetzungen für die langfristige Sicherung der Berliner Clubkultur.

    Auf dem Podium saßen Werner Graf (MdA, Bündnis 90/Die Grünen), Dennis Haustein (MdA, CDU), Tamara Lüdke (MdA, SPD) und Niklas Schenker (MdA, Die Linke). Die Clubcommission agierte mit der Konferenz bewusst als Brückenbauerin. Mit rund 130 Teilnehmenden vor Ort bot die Veranstaltung Raum für direkten Austausch. Dies geschah zwischen Menschen mit Ideen aus der Clubkultur und Akteur:innen mit Raum aus der Immobilienwirtschaft. Diese sind teilweise aus ganz Deutschland extra angereist.

    Durch den Tag führten Katharin Ahrend (Clubcommission) und Andreas Krüger (Belius). In Matchmaking-Sessions präsentierten Vertreter:innen des Haus der Statistik, Trockland und GSE ihre konkreten Flächenangebote. Auch die developer, Alte Post Strausberg, Studentendorf Schlachtensee und das Kulturzentrum Vollgut boten konkrete Flächen an. Anschließend gab es die Möglichkeit für Interessierte, miteinander ins Gespräch zu kommen, um mögliche Kooperationen anzubahnen.

    Gleichzeitig knüpfte die Veranstaltung damit an die letztjährige Konferenz an, stärkte Netzwerke und zeigte, wie groß der Wille und die Energie aller Beteiligten ist.

    Die Clubcommission als zentraler und treibender Motor

    Acht Monate vor der Abgeordnetenhauswahl am 20. September 2026 benannte Tamara Lüdke (SPD) das zentrale Problem: „Es ist ein drohendes Clubsterben. Jetzt ist es Zeit, politisch zu handeln.” Lüdke forderte verbindliche rechtliche Verankerung: „Lärmschutzmaßnahmen für denjenigen, der anbaut, nicht für die, die da sind.”

    Werner Graf (Bündnis 90/die Grünen) forderte strukturelle Förderung für Clubs, die auf Nachwuchs setzen, ähnlich wie in anderen Kultursparten bereits üblich, während Dennis Haustein (CDU) betonte: “Die Strahlkraft der Kreativwirtschaft, ob Oper oder Clubkultur, dürfen nicht gegeneinander ausgespielt werden.” 

    Zu hohe Leerstandsquote

    Graf kritisierte zudem die Stadtentwicklung scharf: „1,7 Millionen Quadratmeter Büroflächen stehen leer, und wir wollen noch mehr bauen! Das müssen wir in eine andere Nutzung überführen.” Eine Zwischennutzungsagentur könne Bürokratie reduzieren und „Menschen mit Ideen zu Menschen mit Räumen” bringen. Zudem könne „die Anpassung bezirklicher Bebauungspläne den Schutz und die Sicherung von Clubstandorten unterstützen”, so Hausstein. Niklas Schenker (Linke) wird im Ton noch schärfer. Er prangert eine nach seiner Meinung profit- und investorengetriebene Stadtentwicklung an. Mieter:innen und auch Kulturorte leiden darunter.

    Die Clubcommission erhielt parteiübergreifend Lob: Haustein bezeichnete sie als „zentralen und treibenden Motor“, Lüdke als „zentralen Pfeiler” mit beratender Funktion. Schenker warb dafür, mit der Clubcommission als “durchsetzungstarken Lobbyverband” gemeinsam für den Erhalt von Kulturflächen zu kämpfen. Marcel Weber kündigte an: „Mit Blick auf die Wahlen wird es nicht die letzte Runde sein.” Die Clubcommission wird darüber hinaus in den kommenden Wochen Wahlprüfsteine an die Parteien richten.

    Soziale Funktion von Nachtkultur

    Doch das war längst nicht alles: “Das Nachtleben kann Schutzräume bieten, vor allem wenn Menschen wegen Diskriminierung im Alltag sonst eher ausgeschlossen werden”, so Prof. Dr. Anna Steigemann von der Technischen Universität Berlin. Clubkultur schafft soziale Infrastruktur und einen Mikrokosmos, in dem gesellschaftliche Fragen verhandelt und Transformation angestoßen werden.

    Neue Instrumente für die Stadtentwicklung

    Das Agent-of-Change-Prinzip oder eine Gewerbemietbremse können entscheidende Hebel sein, so Ricarda Pätzold vom Deutschen Institut für Urbanistik. Innovation entstehe dort, wo Räume Luft zum Atmen haben, ohne ökonomischen Dauerstress und mit genügend Spielraum seitens der Behörden, so Pätzold.

    Kulturraummanagement als Schnittstelle

    Ein zentrales Kulturraummanagement innerhalb der Verwaltung kann zwischen Politik, Verwaltung und Eigentümer:innen vermitteln. Das zeigten David Nil Morsi und Benjamin Thele am Beispiel Köln und machten deutlich, wie so das Verständnis für Clubkultur gestärkt werden kann.

    Forderungskatalog Zwischennutzungen

    Im Oktober 2024 haben Clubcommission Berlin und Transiträume e.V. einen Forderungskatalog vorgelegt, der konkrete Maßnahmen für systematische Flächenaktivierung aufzeigt. Leerstände sind eine ungenutzte Stadtressource. Der Katalog zeigt, was in anderen Städten bereits funktioniert. Zu den bewährten Maßnahmen gehören rechtliche Verankerung, standardisierte Verfahren, eine städtische Zwischennutzungsagentur sowie Aktivierungsanreize für Eigentümer*innen. Zudem ist die strategische Verankerung in der Stadtentwicklung entscheidend.

    Download Forderungskatalog Zwischennutzungen

    Über die Clubcommission Berlin

    Die Clubcommission Berlin e.V. vertritt seit 2000 die Interessen der Berliner Clubkultur. Als Interessenvertretung setzt sie sich für die kulturpolitische Anerkennung, wirtschaftliche Förderung und stadtplanerische Integration von Clubkultur ein. Mit über 300 Mitgliedern ist sie die größte Clubkultur-Interessenvertretung Europas.

    Club & Raum wird von der Clubcommission Berlin e.V. im Rahmen des Projekts Clubkultur Stärken veranstaltet und ist von der Senatsverwaltung für Wirtschaft, Energie und Betriebe und der Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt des Landes Berlin gefördert.

    #writtenby:

    Clubcommission Avatar
  • ,

    Pinwheel Valley – Your Superman (Oliver Schories Remix)

    Oliver Schories remixes Pinwheel Valley’s ‘Your Superman’, blending emotive indie vocals with melodic house energy. Out Jan 30, 2026 via Hot Soap Records.

    German DJ, label owner, and artist manager Oliver Schories is gearing up to unveil a remix of emerging indie project Pinwheel Valley’s track. The remix, ‘Your Superman’is landing on January 30th, 2026 via Hot Soap Records. Over a decade ago, Oliver Schories burst onto the scene. He was a precocious artist with a dream and a debut album, Herzensangelegenheit (2012), on Parquet Recordings. Fast-forward to today. With over 140 million Spotify streams and support from renowned publications, his influence on the global electronic music landscape is undeniable.

    With albums like Exit (2013) and Blitzbahn (2018), Schories has achieved significant recognition. These were released on renowned labels such as Stil vor Talent and Get Physical. As a result, Schories has cemented his place among Germany’s top DJ/live acts. A relentless performer, 2019 marked his peak with worldwide tours and standout EPs like Maia, amassing over 4.5 million streams. Beyond his music, he’s championed other artists through his labels, SOSO and Pracht, hosting talents like Deetron and Rodriguez Jr. His latest albums, Paradigm (2020) and Paradigm Remixes (2021), and collaborations like Packard with Jan Blomqvist garnered millions of streams.

    Indie Soul, mellow Alt-Rock and Folktronica

    Jordanian-Canadian singer, composer, and multi-instrumentalist Qais Khoury leads Pinwheel Valley. The band is a genre-blurring project that fuses Indie Soul, mellow Alt-Rock, and Folktronica. It draws inspiration from Jeff Buckley, Bon Iver, James Blake, and Radiohead. With over 2.6 million streams across platforms, features in several publications, and airplay on BBC Radio London, BBC Radio Sheffield RTÉ 2FM, and NPR Music, the band has built a reputation for emotional depth and sonic ambition.

    Image Credit: Robert Schlesinger

    The single ‘Your Superman’ debuted at No. 13 on the US iTunes Alternative Charts. Their award-winning videos for ‘Willow’ and ‘Abduction’ earned Best Music Video honours. They were recognized at international film festivals, including New York Film Awards, Vegas Movie Awards, and the Swedish International Film Festival. The original track is a lushly moving piece of Indie Rock, with Qais’ haunting vocals floating across a vast, wintery instrumental. 

    Oliver Schories’ rework is sure to ensnare fans of Elderbrook, Ben Böhmer, and Eli & Fur. It elegantly infuses the track with elements of melodic house. This lifts it into a kinetic dancefloor experience while retaining the soaring emotionality of the original.

    Oliver told us: “The emotional vocals instantly inspired me to create a club-oriented version that stays true to the essence of the original. I aimed for a warm, driving atmosphere where listeners can both lose and find themselves.”

    Details:

    RELEASE DATE: 30 January 2026
    LABEL: Hot Soap Records

    Get ‘Your Superman (Oliver Schories Remix)’

    Oliver Schories: 

    Facebook – Soundcloud – Youtube – Instagram – Spotify

    Pinwheel Valley:

    Website – Instagram – Facebook – Soundcloud – TikTok – Youtube – Spotify

    #writtenby:

    Playy Avatar
  • ,

    Captain Mustache – Cracks In The Glass feat. dynArec EP

    Captain Mustache returns to Iptamenos Discos with ‘Cracks In The Glass’, feat. dynArec and a dark sci-fi remix by Berlin’s PRZ.

    Parisian producer Captain Mustache returns to Iptamenos Discos for a stellar intergalactic collaboration, joining forces with the elusive underground legend dynArec. This time, he takes us on a journey through time with his upcoming single ‘Cracks In The Glass’, accompanied by a remix from Berlin-based PRZ.

    Captain Mustache has built a reputation for his genre-blending sound over the last years, and the new single is no exception. The release transitions between dark disco, electroclash, and electro. It follows seamlessly from his recent single ‘Camera Lens With Vaseline’ in collaboration with Third Culture and Victoria Rawlins.

    Featuring dynArec And PRZ

    The track features a haunting vocal performance by french underground legend dynArec which is alienated by a vintage vocoder. The mysterious Vaporwave label founder who’s active since the 90s has been supported by the likes of Helena Hauff & Dave Clarke.

    The EP also features a remix by PRZ, a Berlin-based DJ and producer known for his celestial melodies and dusky, energetic beats. His version takes the original into darker territory, layering high-hats, moody pads, and punchy basslines to build intensity. Futuristic synth lines add a contrasting lightness, turning the remix into a sublime, sci-fi-tinged journey.

    Details

    • release date: February 4th, 2026
    • label: Iptamenos Discos
    • catalog no: ISI011

    About Captain Mustache:

    Captain Mustache is a Paris-based producer whose sound lives at the crossroads of dark disco, electroclash, and electro, infused with a strong retro-futuristic sensibility. He draws deep inspiration from vintage synthesizers, sci-fi narratives, and the raw energy of underground club culture. His productions balance shadowy atmospheres with driving, dancefloor-ready rhythms.

    Over the years, Captain Mustache has developed a recognizable signature: cinematic textures, tight basslines, and an instinctive feel for tension and release. His music often blurs the line between past and future, combining nostalgic electronic elements with a contemporary edge. This approach has made him a compelling collaborator and a consistent presence within the international underground scene.

    Captain Mustache is equally at home crafting immersive solo tracks. He also collaborates with vocalists and fellow producers. He continues to evolve his sound while staying rooted in the ethos of club music. Each release reflects his curiosity and versatility, positioning him as a forward-thinking artist with a clear identity and a growing global reach.

    #writtenby:

    Eclectica Avatar
  • ,

    YOU\ME/ALIEN – A “Space Opera” at the Opera Lab Berlin

    YOU\ME/ALIEN reimagines space opera as a sonic experiment in radical empathy—where sound, bodies, and language dissolve borders between us.

    YOU\ME/ALIEN unfolds as an experiment in radical empathy, a meditation on the unknown – not as a figure of fear or exclusion, but as a presence to be reimagined. Through this lens, Opera Lab Berlin reinterprets the genre of “space opera”. It usually evokes large-scale science fiction epics. But here, it becomes a poetic and sonic journey. This journey explores the fragile and deeply political spaces between people and the way they encounter each other.

    On this journey, an international group of 12 performers interlaces experimental vocal techniques and choreography with instrumental timbres from strings, winds, percussion, and electronics.  Sound becomes the terrain of encounter: unstable, searching, shifting between signal and language. The crew aboard a deep-space vessel works to interpret these signals as identities loosen and re-form, and certainty slips away.

    This otherworldly sound theatre invites you to immerse yourself in a world beyond familiar boundaries and raises urgent questions: How do we hear each other across divides? How does language both connect and separate us? And how might art create the conditions for empathy to replace division?

    YOU\ME/ALIEN – A Space Opera 

    by Opera Lab Berlin

    Premiere: 4. Feb 2026 / 20:00
    Weitere Vorstellungen: 6. & 7. February / 20:00, 8. February / 18:00
    Location: Theater im Delphi, Gustav- Adolf-Str. 2, 13086 Berlin
    Duration: ca. 80 min Langages: English with German surtitles

    www.opera-lab-berlin.com 

    https://theater-im-delphi.de/ 

    Artists

    Thorbjörn Björnsson – Vocalist 

    Thorbjörn Björnsson, born in Iceland, studied singing at the Hanns Eisler School of Music in Berlin. He has worked with the music theater director David Marton. His collaborations include projects at the Schaubühne Berlin and Dresden State Theatre. He has also worked at Schauspiel Hannover, Schauspiel Stuttgart, and the Volksbühne am Rosa-Luxemburg-Platz. Additionally, he collaborated at the Opéra de Lyon, the Ruhrtriennale, and the Munich Kammerspiele.

    Björnsson made his debut as a director and performer with the pieces Das Verein at the Neuköllner Oper and Holzfæller at the Sophiensæle. He frequently appears as a guest performer with Opera Lab Berlin, Error Theater Vienna, GKW-Basel, Atonale e. V., La Cage, and Schlossplatz Theater Köpenick.

    Björnsson has a close working relationship with the music theater collective “Hauen und Stechen.” He has performed with them at the Opera Stabile, the Stuttgart Opera of the Hamburg State Opera, the Sophiensæle Berlin, and the Bavarian State Opera. Since 2018, together with Julia Marx, he has formed the music theater duo Björnsson / Marx.

    Evan Gardner – Electric Guitar & Artistic Director

    The American-Norwegian composer Evan Gardner began studying composition in 1996 at the Oberlin Conservatory of Music with Pauline Oliveros. After successful years of study in the USA, Norway and Germany, he received several awards (Would add one or two for reputability) and commissions from renowned ensembles (here as well).

    In 2013, he founded OPERA LAB BERLIN, which produced numerous successful productions, including ‘Sales of a Deadman’ (2014), Lonely Hearts Bus Tour (2018), Odyssey: Dead Men Die (2020) and Who’s Afraid of Pop Culture? (2022). He is also involved in cultural policy and was a board member of the Verein für Zeitgenössisches Musiktheater Berlin (Association for Contemporary Music Theatre Berlin) from 2014 to 2017.

    Peach Kander – Text

    Peach Kander is a queer poet and current MFA candidate in Poetry at NYU living. Current projects include an (auto)biography set in a dystopian North Pole and a translation of Georges Hugnet’s ‘Childhoods.’ Lately, they’ve been going to karaoke to sing classic pop songs in the style of Bob Dylan.

    Poems are forthcoming in Fugue and dirt child, vol. 1, and other creative property can be found in the Sephora archives. This poem was shortlisted for the 2019 Peach Gold in Poetry with guest judge Dorothea Lasky.

    Astan Meyer – Vocalist 

    Astan Meyer also known as Astan KA is a Berlin-based performer, singer, songwriter, experimental rapper, dancer, actress, and event-curator. Born in France with roots from Mali, she embraces a double culture that led her to consider herself as a “child of reconciliation.” Her musical style, “Gangsta Jazz,” blends vocal inspirations from jazz, punk, drill, trip-hop, slam/poetry/storytelling, Malian blues and Afro-underground sounds.

    Meyer fronts Asphalt Djelis, sings with Sonic Interventions, and explores themes of love, protest, identity, and universality. Astan has performed in musicals, theater pieces, short-films and TV shows. She co-founded Cult-Sup, collaborates with artists and brands worldwide, and used to work as a stylist and 1st assistant’s artistic director for the Afro-futuristic fashion concept KASAPIO.

    Constance Morvan – Clarinet 

    Originally from Nantes, Constance Morvan studied in Paris with Florent Pujuila and Bruno Martinez, and completed her Bachelor’s and Master’s degrees at the Berlin University of the Arts with Prof. François Benda.

    Morvan performs regularly with various orchestras and theatres in Germany and France (Brandenburg State Theatre Frankfurt, Eroica Berlin, Berlin Academy for American Music, Berlin Symphony Orchestra …). He also performs as a chamber musician at festivals such as Festival du Val de Saire, Festival Musique en Bugey, Les vacances de monsieur Haydn in La-Roche-Posay, and the Passion:spiel Festival in Weimar.

    Roshanak Rafani – Daf, Tombak & Percussion

    Roshanak Rafani (b. 1994) is an Iranian percussionist specializing in Daf, Dayereh, and Tombak, active across contemporary, classical, and cross-cultural music. She has performed with leading ensembles including the Austro-Iranian Symphony Orchestra, Lugano Percussion Ensemble, Bridges Kammerorchester, Staatsorchester Stuttgart, Pierre Bloulez Ensemble and the West-Eastern Divan Orchestra under renowned conductors such as Daniel Barenboim, Zubin Mehta, and Matthias Pintscher.

    Since 2013, she has collaborated internationally with diverse artists and ensembles, co-founded the Tehran Percussion Ensemble, and continues her work as a performer and educator in Berlin. She is a core member of the Rondo Projects and the Aban Ensemble.

    Guilherme Rodrigues – Cello

    Guilherme Rodrigues, born in Lisbon in 1988, began cello and trumpet lessons at the age of seven. He studied classical music and theory at the National Conservatory of Music in Lisbon until the age of 23. His music, shaped by improvisation and sound research, is exciting, polyrhythmic, and full of contrasts.

    Rodrigues’ work includes both acoustic and electroacoustic compositions, often described as delicate, intense, and physical. He collaborates with ensembles and dancers, and has created music for theatre, radio, television, and silent film. Rodrigues is part of the label Creative Sources Recordings, musical director of Hosek Contemporary Art Gallery, and a member of the Reanimation Orchestra and Opera Lab Berlin. 

    Sadie Shea – Vocalist & Choreography

    Sadie Shea is an NYC-based actor, dancer, singer, and cellist. She graduated from NYU Tisch School for the Arts in May 2025, receiving a BFA in Drama. She trained at the Atlantic Theatre Company, Experimental Theatre Wing, the Classical Studio, and at arthaus.berlin.

    Recent credits include: I’ll Be There (Feature film), A Guide to Self-Synthesis (Opera Lab Berlin), Play by Ear (La MaMa Galleria), and WIGS: the Play! (The Pit). In 2024 she premiered her new play, SMOKESHOW, at the Edinburgh Fringe Festival. She is a 2021 National YoungArts Winner in Theatre.

    Aparna Shenoy – Vocalist

    Born in Mumbai, Aparna Shenoy is a Hindustani classical singer and dedicated teacher. She began her training at 13 with Guru Rajesh Purkhe ji, later studying with Dr. Revati Tai Kamat of the Jaipur-Atroli Gharana and Pt. Suryakant Gaikwad ji of the Kirana Gharana. Under his guidance she completed her Sangeet Visharad at the Akhil Bharatiya Gandharva Vidyalaya.

    She also trained in semi-classical styles such as bhavgeet, natyasangeet, and bhajans with Archana Tai Khasnis. Alongside her work as a homeopathic doctor, music has always been an important source of balance. At the Global Music Academy, she shares her passion as a teacher of Hindustani singing.

    Youka Snell – Shamisen & Violin

    Born in New Zealand and raised in Australia with Japanese roots, Youka Snell is a Berlin-based violinist, shamisen player, and singer. She has been classically trained since the age of ten. Shenoy holds degrees in violin (performance) and composition & production from the Queensland Conservatorium. 

    Youka leads the Japanese neo-folk band Mitsune, touring across Europe, and works internationally from her Berlin studio. Her projects span film, television, and live performance, including string arrangements for nearly 80 episodes of Bluey and vocals for the Golden Lion-winning film All the Beauty and the Bloodshed (2022).

    Susan Stryker – Text

    Susan Stryker is a pioneering scholar, filmmaker and activist whose work has had a significant impact on the field of transgender studies. Born in 1961, Stryker is best known for her influential writings. She is also renowned for the documentary film “Screaming Queens: The Riot at Compton’s Cafeteria”. This film chronicles one of the first collective uprisings of transgender people in the United States.

    As a professor and public intellectual, Stryker has authored groundbreaking texts, including “Transgender History: The Roots of Today’s Revolution”, which examines the cultural, social and political developments of transgender communities. Her work bridges academia and activism by combining rigorous scholarship with a commitment to visibility and justice for marginalised groups.

    Mauricio Velasierra – Quena, Hybrid Electro-Acoustic Flutes

    Colombian-born Mauricio Velasierra is an expert and pioneer of keyless Latin American wind instruments: quenas, sikus, and mohzeños. Besides developing techniques to play them fully chromatically he has also reimagined and rebuilt them, transforming the acoustic sound into animalistic distortion machines. A genre escape-artist, with a facility to improvise between worlds, Velasierra plays with an explosive directness that has taken his music to prestigious venues and festivals internationally.

    Velasierra is also a composer, renowned for his innovative and highly original style, which combines modern jazz, contemporary classical and progressive music influences. His work has been critically acclaimed by The Guardian, Songlines, The Wire and the German Record Critics Prize, among others.

    About Opera Lab

    Opera Lab Berlin has staged over 30 independent productions since its founding in 2013, working with more than 40 contemporary composers and 18 directors.

    With YOUME/ALIEN, the collective continues its mission to expand the possibilities of contemporary music theatre to open space for exchange of diverse lived experiences.

    Credits:

    Vocals: Thorbjörn Björnsson, Astan Meyer, Sadie Shea, Aparna Shenoy
    Tombak, Daf & Percussion: Roshanak Rafani
    Shamisen & Violin: Youka Snell
    Quena / Hybrid Electro-Acoustic Flutes: Mauricio Velasierra
    Electric Guitar: Evan Gardner
    Clarinet: Constance Morvan
    Violoncello: Guilherme Rodrigues
    Oud: Bakr Khleifi 
    Puppeteer: Billy Irving

    Music: Evan Gardner & Opera Lab Berlin 
    Musical Director: Francesca Verga
    Text: Susan Stryker & Peach Kander
    Video: Samuel Chalela Puccini 
    Choreography: Sadie Shea — Dramaturgy: Bettina Sluzalek 
    Production & Associate Director: Ben Goldby

    Production Management: Paula Häfele
    Stage & Costume Design: Laura Arriaga
    Stage & Costume Assistant: Ela Bahena
    Technical & Lighting Director: Nils Lauterbach
    Sound Design: Manolo Müller 
    Music Production: Matthew Vere 

    Light Design: Diego Muhr 
    Live Sound: Felix von Dohlen

    Press / PR: Sarah Rosenau 
    Graphic Design: Winnie Fee Kurzke & Laura Arriaga 
    Social Media: Ela Bahena & Ben Goldby
    Assistant Puppeteer: Madison Weinhoffer
    Production Assistant: Jazmine Reynoso
    Artistic Director: Evan Gardner

    YOU\ME/ALIEN is produced by Opera Lab Berlin and Theater im Delphi. With funds from Hauptstadtkulturfonds

    #writtenby:

    Contributors Avatar
  • ,

    Das Gorki im Januar: I Love Zelal von Zelal Yeşilyurt

    I love Zelal: 13 blitzartige Monologe über obsessive Liebe, Ekstase & Selbstverlust. Ein radikales Solo zwischen Horror, Pop und Wahn.

    In I LOVE ZELAL seziert Autorin und Regisseurin Zelal Yeşilyurt in 13 blitzartigen Monolog-Clips eine obsessive Liebesgeschichte voller Ekstase und Selbstverlust. Die Figur Liebestoll spricht in Momentaufnahmen zu einer Frau namens Zelal. Sie ist mal schwärmerisch, mal wütend, mal flehend. Je mehr sie sich nach Nähe sehnt, desto tiefer stürzt sie ab: in Wahn und Kontrollverlust. Was beginnt wie eine schrille Fan-Fiktion, endet in einem blutigen Fiebertraum.

    Zwischen Horrorfilm und Popkultur entfaltet sich ein Solo über narzisstische Spiegelungen, toxisches Begehren und die Ununterscheidbarkeit von Realität und Projektion. Eine radikal subjektive und ironisch-böse Inszenierung, die die Autorin selbst inszeniert. Dabei wird sie unterstützt von einem Team aus Künstler*innen, die gemeinsam ein multimediales Ereignis schaffen.

    Uraufführung: Samstag, den 24. Januar, im Studio Я

    Text und Regie: Zelal Yeşilyurt

    Foto: Helene Caruana

    #writtenby:

    Contributors Avatar
  • ,

    Organic Electronica Blooms on Mondocane’s Semillas

    Mondocane’s Semillas transforms Lake Titicaca field recordings into organic electronica, blending memory, nature and Latin rhythms via Latinambient.

    A journey through memory, sound and South America

    Italian producer Mondocane returns with Semillas, a four-track EP arriving on 30 January 2026 via Latinambient, the new label curated by Populous. Rooted in field recordings captured on Lake Titicaca in Peru, the release transforms environmental sound into immersive electronic compositions that move between downtempo, tribal rhythms and organic textures.

    From Lake Titicaca to the dancefloor

    The EP’s lead single, “Uros”, originates from a field recording made in 2021 among the floating islands of the Uros people. Four years later, the recording resurfaces as the foundation of a composition that explores memory, time and transformation. Warm Latin percussion meets dreamlike atmospheres, creating an intimate piece of organic electronic music that reflects Mondocane’s genre-fluid approach.

    Across its four tracks—“Ayawaska”, “Uros”, “Nawi Kuna” and “Wayna Kuna”Semillas unfolds as both a geographical and emotional journey. Built from sketches recorded on a portable recorder, each composition develops into its own sonic landscape while remaining connected through themes of nature, cycles and cultural memory. The artwork by Carlo Alberto Giardina further reinforces this concept, visualising fertile ground where memories become new creative growth.

    About Mondocane

    Based in Rome, Mondocane has spent nearly two decades developing a sound that bridges electronic experimentation, psychedelic influences and dancefloor-driven rhythms. His productions combine global bass, tribal percussion and expansive soundscapes while avoiding conventional genre boundaries.

    Throughout his career he has collaborated with artists including Populous, Front De Cadeaux, Fabio Fabio, Tropicantesimo, A-Tweed and Salò. His music has appeared on labels such as Ivreatronic, Cosmovision Records, Epicure Records and Playground Records, while his monthly residency on Rough Radio serves as an ongoing platform for his evolving sonic explorations.

    Mondocane has performed throughout Europe and South America, appearing at festivals and venues including Universo Paralello (Brazil), Boomtown (UK), Costeño Beach (Colombia), Cross Club (Czech Republic), WAO Festival, Fantasia, Samichay, Dum Dum Republic, Angelo Mai and Ariano Folk Festival in Italy.

    Details

    Artist: Mondocane
    Title: Semillas
    Label: Latinambient
    Release date: 30 January 2026
    Catalogue number: LTMB 26 002

    Tracklist

    1. Mondocane & Fake Mantra – Ayawaska
    2. Mondocane & Fake Mantra – Uros
    3. Mondocane – Nawi Kuna
    4. Mondocane – Wayna Kuna

    Listen & Follow

    Mondocane

    Latinambient

    #writtenby:

    Eclectica Avatar
  • ,

    Jomoon – Sugar LP (Extracts) via Noiseberry

    With Sugar, Jomoon crafts a tension-driven debut between UK garage, IDM and experimental electronics—raw, physical and emotionally immersive.

    With Sugar, Jomoon releases her debut album on January 30, 2026 via the Leipzig-based label NOISEBERRY. The independent producer from Rome places her sound between UK garage, experimental electronic and IDM — stripped down, physical, and deliberately tension-driven.

    In late 2025, Jomoon offered the first glimpses of Sugar through two striking singles. Her debut track “Confession” introduced listeners to a warm, mysterious, and emotional sonic world – a unique blend of electronica and atmospheric layers that marked the emergence of her very own musical language.

    This was followed by “Human Rituals,” a second single that combines refined, edgy elements with driving rhythms. Its atmosphere shifts between mystical tension and euphoric release, establishing the track as a standout highlight of the album’s repertoire. Together, these singles merge groove and emotion, encapsulating Jomoon’s intent to craft an immersive listening experience.

    Pace, spatial depth and control

    The album itself is introduced by its lead track “Fields,” which functions as a focused entry point rather than a summary, establishing pace, spatial depth and control while deliberately withholding resolution. This deliberate restraint heightens the impact of Sugar’s eventual peaks and reveals Jomoon’s command over tension and release across the record.

    As a debut, Sugar is not an introduction but a declaration. Jomoon defines her artistic position with clarity and intent, merging groove and emotion into a single, focused language. Every track contributes to this cohesive statement, from the incisive rhythms to the haunting melodic textures that linger long after the music stops. Jomoon’s first full-length effort thus solidifies her unique voice in the electronic landscape, confidently heralding the arrival of a new creative force.

    Cover

    Tracklist Album:

    1. Her Veins
    2. Human Rituals
    3. Crystal Eyes
    4. Confession
    5. Fields
    6. We Said
    7. Vicky

    jomoon on bandcamp.com

    #writtenby:

    Eclectica Avatar
  • ,

    Mokado – WHERE DOES THE NIGHT GO? via Le Hameau Records

    From dusk till dawn, Mokado’s third album turns European city heartbeats into bold, dance-driven electro journeys shaped by UK club culture.

    It’s to answer this question — as poetic as it is enigmatic — that Mokado delivers his third album. More modern and dance-oriented than his previous releases, “WHERE DOES THE NIGHT GO?” surprises with its bold and daring aesthetic choices.

    We still find the blend of electro-pop and melodic techno with marimba that usually defines his music. However, it’s clear that the French producer has this time turned his ears more toward the other side of the Channel. With UK Garage rhythms, pitched House vocals, and Breakbeat influences, fans of British music will feel right at home and will easily recognize echoes of London producers Jamie XX and SBTRKT throughout the album.

    Paris, London, Berlin? It doesn’t matter.

    It’s a tribute to British club culture, carrying us on a nocturnal wander through the arteries of a European capital. Paris, London, Berlin? It doesn’t matter. Mokado has turned the heartbeats that pace life in these great metropolises into electronic beats — an electric pulse, carefree and festive at first (THE WALK // 1:46AM, THE CLUB // 2:18AM), becoming tender and melancholic (THE MOON // 3:49AM, THE TUBE // 5:25AM) as we slowly sink deeper into the night, until the album’s final romantic sigh (THE PARK // 6:42AM).

    From dusk till dawn, it’s hard to pull away from this intoxicating electro journey that takes us wherever the night goes. If you’re still looking for the answer, remember the words often attributed to Robert Louis Stevenson. “It is not the destination that matters, but the journey.”

    TEASER LIVE | WDTNG TOUR: check out here

    About Mokado

    Mokado is a French electronic music producer whose sound moves freely between emotion and movement, intimacy and the dancefloor. Blending electro-pop and melodic techno with distinctive elements such as marimba, his music is instantly recognizable yet constantly evolving.

    With each release, Mokado explores new territories. His work is shaped by nocturnal energy and urban rhythms, drawing inspiration from European metropolises and, more recently, British club culture. Influences from UK Garage, Breakbeat, and House intertwine with melodic sensitivity, creating tracks that are both physical and introspective.

    #writtenby:

    Eclectica Avatar

Wanna Sign in too?
Stay tuned with the arts!

Subscribe to our newsletter and stay informed about current exhibitions and other topics of the Berlin cultural scene.

← Back

Thank you for your response. ✨

Read more about the handling of your data here.