Dear Community,
Next week (April 25), things get ambient, noisy, and experimental, all at once.
revers:avers is a multimedia event series that brings together artists from the fields of media and digital art, experimental sound, and related genres right here in our Prägehalle. Each edition creates new artistic symbioses, treating audiovisual performance as a dialogue between sound, image, and space. The series is structured around two distinct poles. Each pulls in a different direction. This creates a tension that makes every event a unique and unpredictable experience.
This time we present the AVERS Edition 3, featuring the following artists:
20:30 | Pablo Ulises Lienhard x Yun Kuo present foghorn
@femmeboyant_xoxo (any pronouns) is a performer and composer based in Berlin. They are typically found playing as an improvising saxophonist and electronic noise musician in a variety of settings, selecting music for radio shows or for people to dance to (as ulises4000), and organizing or curating diverse event formats.
Their main projects include the accordion and electronics duo Zimmermann / Lienhard. They are also involved in the fake industrial folklore band Schrödinger or Boom Boom God. They co-host the Berlin-based club series Brutal Honesty with missteikk. Additionally, the Zürich-based @workoutjazz collective organizes the madness festival series. Their work explores topics such as instrument interfaces, the physicality of sound, interdisciplinarity, performance, and mise en scène.
@yunkuo__ is a Berlin-based visual artist and designer who focuses on storytelling, the translation of emotions, and cultural identity. In her VJ sets, she merges design precision with improvisation, drawing on her dedicated practice in graphic design.
21:25 | bungalovv Live AV
bungalovv is the electronic music project of Pablo Betas, an Argentinian producer, experimental guitarist, and DJ based in Berlin since 2019. His music spans alternative and experimental club music, ambient, and percussive polyrhythms. It weaves in trance-inspired synthesizers, foley loops, acoustic instruments, and Latin American influences to create a nocturnal and mechanical world of its own. A core member of the internationally respected Infinite Machine label, he has released two records and recently completed a 20-date tour across Asia.
22:20 | Veronika (Special Performance)
Veronika Tikhonova‘s practice explores the poetics of eroticism, post-internet culture, and the expansions and restrictions of bodily and sensory experience.
22:45 | PΞB Live
PΞB is the Berlin-based duo of Ilia Gorovitz and Asja Skrinik, a relentless fusion of industrial, punk, noise rock, and metal. Gorovitz’s drumming anchors Skrinik’s aggressive vocals as they move between fierce outbreaks and eerie atmospheric build-ups, conjuring a journey through industrial wastelands with the unsettling beauty of a rusty oil sheen. Their live performances draw on Grand Guignol horror, spoken word, and theatrical intensity, with feedback loops and cryptic field recordings that hypnotise and unsettle in equal measure.
22:45 | Alexandra Macià & CINEMA AV (Visuals for PΞB)
Alexandra Macià works at the fringes of media art, using video as a tool for critique. Her raw, punk-inflected practice deconstructs media manipulation and questions the fragility of the multimedia field. Rejecting conservative frameworks, she pursues a DIY filmmaking language rooted in lust and artistic process, bending established models into subliminal psychovisual landscapes that accelerate and destabilize the viewer’s perception.
Evan Henry (CINEMA AV) is an audiovisual artist who collaborates with live bands and synthesizer musicians to create immersive live performances. Rooted in a fascination with CRT televisions and found video tape, his practice blends analog visual culture with live electronic performance.
“Das Display schaut in den Raum” by Leon Klaßen
Leon Klaßen studied architecture and works as a designer, programmer, and artist in Berlin. His installations explore the intersection of sculpture, technology, and space, with all elements kept raw and temporarily assembled from individual parts. “Das Display schaut in den Raum” (The display gazes into the room) shifts the perspective of the viewer. The display takes on a gaze of its own. It illuminates its surroundings. Built around the simplicity of the 7-segment display, a form of information display developed in the 1960s, the work poses a quiet and open question: I’m looking at all of this here. Are you showing me something, too?
AVERS Ed. 3
25 April | 19:30 – 0:00
Alte Münze | Molkenmarkt 31, 10179 Berlin
Curated by co:evolve
PARTNERS:
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