Artco: DEPONIE by Tobias Kruse

Artco:  DEPONIE by Tobias Kruse

Thirty years on from the fall of the Wall, the photographer and native of Mecklenburg, drove 8,000 kilometers through Eastern Germany, capturing what is left.

For his project Deponie, Tobias Kruse sought out the traces and scars of a time that still casts a lingering shadow on the present: the years subsequent to the reunification of East Germany. A wild and paradoxical time, rich in opportunities, but one which also brought disappointment, anger and bitterness. Thirty years on from the fall of the Wall, the photographer and native of Mecklenburg, drove 8,000 kilometers through Eastern Germany, capturing what is left in the wake of this monumental juncture in history. A psycho-geographic exploration, Kruse documented everything from desolate countryside and rural villages to packed football stadiums and nighttime demonstrations – phenomena that are as much historical as they are contemporary in their integral space in Germany’s collective memory.

Impressions from DEPONIE

The series was created in 2019 and 2020 as part of the recommended Olympus Fellowship program and has been exhibited at the Haus der Photographie of the Deichtorhallen in Hamburg, the Fotografie Forum Frankfurt, and FOAM Amsterdam.

The exhibition will be accompanied by a catalogue published by spectorbooks.

Tobias Kruse was born in Waren/Müritz in 1979 and grew up in Schwerin. He studied with Prof. Ute Mahler at the Ostkreuzschule für Fotografie in Berlin and attended Prof. Arno Fischer’s master class there. Kruse has been a member of the Ostkreuz agency since 2011 and works internationally. Kruse lives and works in Berlin.

Kruse’s images have been published in books by Hatje Cantz, Hartmann Books, Kerber, spectorbooks and Steidl.

December 15, 2022 – January 28, 2023
opening Thursday, 12th December., 18h
Book signing and Artist-Talk with Thomas Gust:
Saturday 17th December., 17h
ARTCO Gallery Berlin


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„Fotografie als Waffe“ lautete der Titel für eine Ausstellung, die KI und Fotografie auf den Prüfstand stellte. Immerhinee drei Tage konnte im @kunstraumkreuzberg über die Wirkung von deepfakes, historischer Fotografie, Dokumentation von Lebenssituationen und Werbefotografie gestaunt und diskutiert werden. Alle Künstler:innen benutzten dabei das digitale eingefangene Bild als zentrales Medium, welches analog zum Ausdruck der eigenen Identität wird. @artweaponphotography #artnow: The current exhibition at the @koeniggalerie showcases a wide variety of critical works and sculptures from artists like JOANA VASCONCELOS, JULIA BELIAEVA, ARMIN BOEHM amongst others. @mothersfinestofficial life concert @lidoberlin at the 28th of April 2024 #rock #funk #concert

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